“I am uncomfortable in my role as witness.” Nehal El-Hadi writes for The New Inquiry about the online spectacle of black death, exploring what “Black thanatosensitive” user experience design might look like. And ICYMI: our own Ismail Muhammad on Frank Ocean and depictions of the black male body.
Force Feeding
Madame Bovary, Say Wha?
Ruth Franklin rises to the defense of much-maligned (and newly retranslated) Emma Bovary.
Can’t we just go with “grey” already?
Tuesday New Release Day: White, Holt, Meyer
New this week: Nobel Laureate Patrick White’s posthumously discovered novel, The Hanging Garden; Elliott Holt’s debut You Are One of Them; and The Son by Philipp Meyer.
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Know Any Oregon-Based Writers?
Portland-based Literary Arts is offering a total of $59,000 in Fellowships and Book Awards this year for Oregon-based writers and their published works. Past prize recipients have included Wild author Cheryl Strayed, as well as Patrick deWitt for his novel, The Sisters Brothers (which our own Mark O’Connell raved about).
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Ways of Seeing
Overt at JSTOR Daily, Allana Mayer writes about visual literacy in the age of the Internet. As she explains it, “We have similar stories all throughout history: the moment when a perception—whether a literal way of seeing or a figurative mode of thinking—is assaulted and fundamentally shifts.” Pair with our own Bill Morris’s piece on the new Whitney Museum.
Amazon’s Programming
Look out, network television. Amazon’s hiring creative executives to shepherd “crowd-sourced scripts” through development.
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The Year of Only Publishing Women
“When author Kamila Shamsie challenged the book industry to publish only women in 2018 to help address a gender imbalance in literature, just one publisher took up the challenge.” And Other Stories, an English publisher who publish translations and English language books, has decided to only publish women writers in 2018, according to the BBC. Pair with: an essay by our own Marie Myung-Ok Lee about the visibility and privacy of women writers.