It’s fitting in a strange way that the author of Being There is now the subject of an oddball novel-turned-biography. In the Times, Benjamin Markovits reads Jerome Charyn’s book Jerzy, which gives the life of Jerzy Kosinski a treatment he’d likely appreciate.
“Of all the literary genres, poetry has proved the most resistant to digital technology, not for stodgy cultural reasons but for tricky mechanical ones.” Looks like that might be changing, however, as Open Road releases Flow Chart, Your Name Here and 15 other John Ashbery digital poetry collections.
For Electric Literature Jennifer Baker interviews Yahdon Israel who hosts the weekly literary interview series LIT on Youtube. On his inspiration for starting the show; “I watch a great deal of interviews on the Breakfast Club, James Lipton’s Inside the Actors Studio, Sway in the Morning, Hot 97, Between Two Ferns. And the people who are seldom interviewed are writers. In many ways being Black has taught me to notice what isn’t there. That lens lends itself to what I notice about pop culture: We’re missing from the conversation. Better put: We’re not included. And by “we” I mean writers.” Watch the show and subscribe, some interviews include Kaitlyn Greenidge, Claire Messaud, Victor LaValle and Jesmyn Ward.
Even if you read and watch all of these pieces about Robert A. Caro, it’ll still amount to only a fraction of the time necessary to read one of his books. So here goes: a typical Sunday for Mr. Caro; not one but two fake Caro Twitter accounts (plus a real one); Mr. Caro stops by The Daily Show; and The Passage of Power gets reviewed by us, NPR, The New York Times, The New York Review of Books, and The Wall Street Journal.
In a digital age, what’s the point of handwriting? It may seem like there isn’t much point to honing one’s penmanship these days. In Hazlitt, Navneet Alang suggests that handwriting, far from being a lost art, is in fact a “useful alchemy” that retains particular uses. You could also read our own Kevin Hartnett on writing by hand.