Out this week: The Twelve Lives of Samuel Hawley by Hannah Tinti; Compass by Mathias Enard; The Women in the Castle by Jessica Shattuck; Simulacra by Airea D. Matthews; and the Later Essays of Susan Sontag. For more on these and other new titles, go read our most recent book preview.
Chekhov never published an autobiography, but he did once write a letter in which, in Chekhovian fashion, he summed up his life in a paragraph. At The Paris Review Daily, you can read the Constance Garnett translation of this letter in full. You could also check out Brendan Mathews on reading Chekhov for self-improvement.
It’s rare that a writer decides his new novel will be his last, but that’s exactly what Michael Faber has done with regards to his latest, which comes out this week. In the Times, he talks with Alexandra Alter about his decision, saying: “I felt that I had one more book in me that could be special and sincere and extraordinary, and that that would be enough.” It’s probably a good time to read our own Bill Morris on the history of literary retirements.
At The Guardian, Susanna Rustin interviews the Irish writer Edna O’Brien, whose new anthology of stories, The Love Object, comes out as an e-book this week. Among other things, she compares a writer who works on a book for only one day a week with a parent who leaves a toddler unsupervised: "You can't find it again."
“Even weeks after its publication, no one agrees on What Happened and Clinton’s ability to assess her own past. But in post-truth America, the truth that becomes history may well be decided by star-rating.” The Guardian considers how Amazon reviews became the new battlefield of US politics. Namechecked in the piece: Nancy MacLean, whom we interviewed about her new book, Democracy in Chains: The Deep History of the Radical Right’s Stealth Plan for America, here.