Out this week: Exit West by Mohsin Hamid; South and West: From a Notebook by Joan Didion; All Grown Up by Jami Attenberg; Ill Will by Dan Chaon; The Accusation by Bandi; The Night Ocean by Paul La Farge; and American Berserk by our own Bill Morris. For more on these and other new titles, go read our most recent book preview.
Tuesday New Release Day: Hamid; Didion; Attenberg; Chaon; Bandi; La Farge; Morris
Patron Saint of Decency & Feminism
Fanny Trollope, Anthony’s mother, taught America a thing or two about decency and feminism: her scathing pen wrote books about the excesses of American society and its alienation of women. Over at Bloom, Cynthia Miller Coffel writes about this trailblazing woman who should be considered “the patron saint of middle aged women writers.”
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Tuesday New Release Day: Englander; Sloan; Kassabova; le Carré; Ward
Out this week: Dinner at the Center of the Earth by Nathan Englander; Sourdough by Robin Sloan; Border by Kapka Kassabova; A Legacy of Spies by John le Carré; and Sing, Unburied, Sing by Jesmyn Ward. For more on these and other new titles, go read our most recent book preview.
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August Open Letters
The August issue of Open Letters is available. Nestled amidst the literary fare are early Oscar nominations from Sarah Hudson and a piece on the video game The Sims by Phillip A. Lobo.
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Tale of a Giraffe
Today in New Zealand: Granta published a Kiwi short story in partnership with Commonwealth Writers.
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Image of the Text
Recommended Reading: A brief history of book illustration and books as objects, over at Literary Hub.
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Oh, Tom Drury, how I love thee.
If you’re a fan of Tom Drury (and if you aren’t–what’s wrong with you?), you’ll be excited to know that the new short film based on his short story “Path Lights” is now online at the David Lynch Foundation. The film was directed by Zachary Sluser, and stars John Hawkes.
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Pinup Plath
“Presenting female writers as sexualized and frivolous diminishes their intellectual credentials, tarnishes their work as slight, not to be taken seriously.” The cover of the U.K. edition of The Letters of Sylvia Plath, a new collection of unpublished correspondence by the late author, features her in a bikini because, sexism. Pair with “Sexy Backs and Headless Women: A Book Cover Manifesto.”