The 2017 Whiting Award winners were announced tonight at a ceremony in Manhattan, and this year’s list of ten honorees includes Francisco Cantú (The Line Becomes a River), Simone Wright (Of Being Dispersed), Phillip B. Williams (Thief in the Interior), Kaitlyn Greenidge (We Love You, Charlie Freeman), Tony Tulathimutte (Private Citizens), Jen Beagin (Pretend I’m Dead), and Lisa Halliday (Asymmetry) as well as playwrights Clarence Coo, James Ijames, and Clare Barron. The award, which recognizes early-career writers of fiction, nonfiction, poetry, and drama, comes with a $50,000 prize. Excerpts from each writer’s work can be read at The Paris Review.
The 2017 Whiting Award Winners
Most Misleading Machine Name
Espresso Book Machines are coming to Barnes and Nobles stores in New York, New Jersey and Pennsylvania, allowing customers to “make a physical print book of a hard-to-find book, a public domain title or self publish a book.” Espresso Book Machines also win our prize for “Most Misleading Machine Name.”
The Why and How of Colophons
Ever wondered why Knopf’s colophon is a borzoi, or why Houghton Mifflin Harcourt’s colophon appears to be a musician riding a flying dolphin? Well, now you can find out. Also, a while back, HTMLGIANT‘s Jimmy Chen ranked some colophons by their ability to fly.
The Feel of Municipal Politics
Recommended Reading: Parul Sehgal on Jonathan Franzen’s first novel. (You could also check out Eric Lundgren’s counterpoint.)
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Nobody Said Anything
“Anyway, once his last season was over and NBA hadn’t called, Buck set his sights on coaching. Teaching was the best venue to get there. His wife, a pretty round faced blonde this time, was also a teacher; she taught fourth grade with my wife, Sherri. Working together had formed a friendship and it was this friendship that brought me — a manager at the Kraft Cheese plant — into this conversation with three public school teachers.” What we talk about when we talk about the Common Core.
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Terry Castle
Behold the polymathic mind of Terry Castle, professor, literary essayist, and collage artist. At Fevered Brain Productions, her art blog, see digitally alter photos and collages like “Warthog Proffering Rootbeer,” “She Polarizes People,” “Collage Dramas”, and “Kind Hearts and Coronets.” And from the LRB archives, check out her controversial quasi-eulogy for Susan Sontag, her reviews (for example, Always the Bridesmaid on Yopie Prins‘ Victorian Sappho), and her essays (Travels With My Mom). The Professor, Castle’s forthcoming book of essays, will be published by HarperCollins in January.
Flynn, Strayed, and Likability
“That’s always been part of my goal — to show the dark side of women. Men write about bad men all the time, and they’re called antiheroes. … What I read and what I go to the movies for is not to find a best friend, not to find inspirations, not necessarily for a hero’s journey. It’s to be involved with characters that are maybe incredibly different from me, that may be incredibly bad but that feel authentic.” Gillian Flynn and Cheryl Strayed talk with The New York Times about the adaptations for Gone Girl, Wild, and writing credible characters. Their conversation pairs well with our own Edan Lepucki‘s essay on likability in fiction.
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