Out this week: The Schooldays of Jesus by J.M. Coetzee; Dear Friend, from My Life I Write to You in Your Life by Yiyun Li; Things We Lost in the Fire by Mariana Enriquez; Running by Cara Hoffman; The Keeper of Lost Things by Ruth Hogan; Last Day On Earth by Eric Puchner; and The World to Come by Jim Shepard. For more on these and other new titles, go read our most recent book preview.
Rosie Schaap espouses the joys of cooking for others “in a powerfully fraught, anxious time” such as ours. “I wanted, at least in this small way,” she writes, “to give comfort—both to myself and to my loved ones.” And as our own Hannah Gersen has noted, if you’re fortunate to have such a good friend for a chef, you can read a cookbook while they work.
“In the first few days of ‘publicly’ reading the book, I only received quizzical stares and saw people putting glasses on or slouching in their seats to better read the cover. It just so happened that it wasn’t until Black History Month that those silent stares turned into vocal encounters and my light commuter reading turned into a bit of a social experiment.” Recommended reading: Lauren A. White’s experience of reading How To Be Black in public.
“Ah the world, oh the whale!” At The Washington Times, my review of Philip Hoare’s wonderful new anatomy of all things cetacean, The Whale, winner of the prestigious Samuel Johnson nonfiction prize. (ECW)
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Reviews are still in the literary news, and in the midst of all the nicey niceness and plentiful hot air, Alix Ohlin got a real smack down in the Times for her new novel, Inside, and her new collection of short stories Signs and Wonders. Which prompted J. Robert Lennon to consider: How does one even write a good “bad” review?
“A lot of writers are big readers. Very often, when you’re writing your day’s work, something you write will remind you of something that you read. And the thing that you read shines a kind of light on the sentences that you’re writing. So I think it would be very hard to write without having read a great deal.” Listen to Salman Rushdie chat with Paul Holdengraber about poetry, film, and his latest project. Liam Hoare writes on the implications of Rushdie’s fatwa.