A Nottingham-based theatre company will adapt Millions staffer Chigozie Obioma’s Man Booker-shortlisted novel The Fishermen for the stage. The production is scheduled for next year.
The Fishermen: The Play
Clickity Clack
Where did Modernism come from? Did it spring from the alienation engendered by the nineteenth century? Or did it spring instead from — as Hannah Sullivan argues in her new book, The Work of Revision — the typewriter?
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Kurt Vonnegut’s Doodles
When Kurt Vonnegut wasn’t writing, he was drawing. “The making of pictures is to writing what laughing gas is to the Asian influenza,” he said. The New Yorker has a slideshow of 10 of his cubist sketches. You can find more of his doodles in the new book Kurt Vonnegut Drawings.
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Burning Books in Angola
Recommended Reading: For Public Books, Year in in Reading alumna Katrina Dodson writes on José Eduardo Agualusa’s novel A General Theory of Oblivion.
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Across Space and Time
“These sorts of connections are at the centre of nearly all time machine fiction. These novels usually draw attention to telling commonalities across historical eras, or between the past and the present. That gives an engaging puzzle quality to the books—we read seeking out the dropped clues that will shed light on the purpose of the parallel.” On fiction in which the plot takes place over multiple timelines.
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Library Extension
A simple web browser extension will tell you if the book you’re reading about online is available at your local library. Currently a Chrome version is available, and Firefox is on the way.
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“Lissa” by Michael Bourne
Tin House magazine has posted a short story, “Lissa,” by our own Michael Bourne as part of its regular online Flash Fridays feature. Also be sure to catch his Year In Reading entry that posted earlier today.
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A Book about Beauty
In his latest Year in Reading, Chigozie Obioma told us about Eka Kurniawan’s Beauty Is a Wound, “the howling masterpiece of 2015…a howl, an outrage, and a sheer burst of particular talent.” In an illuminating interview for Electric Literature, Kurniawan discusses the label “magic realism,” epic creation, and his ideas for his next novel.