Cat Marnell and Alana Massey both have new books out, and they are, in their own ways, variants on the genre of “confessional” writing. In an essay for Slate, Katy Waldman unpacks their essential appeal and their arguments, describing how each goes about the task of reinventing the concept of the memoir. You could also read our interview with Massey.
"The stories that dominated the serious magazines and journals seemed to share a flat fireless quality... Characters dropped half out of love, or endured a minor crisis, or just wandered around treasuring their sense of dismay about, you know, the fallenness of the world." In case you missed it: Slate's review of Stuart Dybek's new collection of stories, Paper Lantern, also delivers an acerbic take on the modernist past and current "revitalization" of the American short story.
"Let me be frank," writes our own Edan Lepucki for the opening round of this year's Tournament of Books. "I went into this matchup excited to read The Round House, whereas I approached The Fault in Our Stars with curiosity and trepidation." But did she wind up pleasantly surprised? Check out the rest of her write-up to see which tearjerker moved on to the next round. (Bonus: Janet Potter on John Green's heartbreaking novel.)
Barry Ritholtz, the godfather of financial blogging (and not your typical Occupy Wall Street protester) calls the U.S. a "corporate monarchy" and wonders "Why have the Europeans figured out they are getting screwed, and we haven't?"