Out this week: Perfect Little World by Kevin Wilson; Dark at the Crossing by Eliot Ackerman; Days Without End by Sebastian Barry; Mexico by Josh Barkan; The Signal Flame by Andrew Krivak; and Number 11 by Jonathan Coe. For more on these and other new titles, go read our most recent book preview.
The Atavist has been killing it lately. Last month, I was riveted by Joshuah Bearman’s outrageous (and completely true) story of one Brit’s attempt to bring a “Baghdad Country Club” to the city’s Green Zone. This month, “Mother, Stranger,” Cris Beam’s account of her abusive mother–a distant relative of William Faulkner–had me on the verge of tears.
“Writers are outsiders, and usually not by their own choosing. It’s why they’re writers. If they didn’t feel alienated from human experience, they wouldn’t feel so drawn to writing to make sense of their lives. It’s not the outsider’s facility for language that makes her a writer — many a student body president or homecoming queen can turn a phrase — but her ability to howl at the moon, on the page.” Karen Karbo writes for Powell’s Books’s blog about how much publishing has changed in the last 20-some years, but she also has a lot of great words about why people would want to deal with writing and publishing in the first place. Pair her smart essay with our own Nick Ripatrazone‘s piece “Practical Art: On Teaching the Business of Creative Writing.”
In a turn of events that are probably not good for Baltimore’s reputation for decay, the Edgar Allen Poe House might close due to lack of funds. The Times had the details when news of the troubles first broke; at The Paris Review, you can find more links and laments.