Out this week: Lucky Boy by Shanthi Sekaran; A Mother’s Tale by Phillip Lopate; Huck Out West by Robert Coover; Fever Dream by Samanta Schweblin; The Midnight Cool by Lydia Peelle; The Antiques by Kris D’Agostino; Lotus by Lijia Zhang; and Collected Stories by E.L. Doctorow. For more on these and other new titles, go read our latest book preview.
Tuesday New Release Day: Sekaran; Lopate; Coover; Schweblin; Peelle; D’Agostino; Zhang; Doctorow
The Art of Fielding
Vanity Fair shares an excerpt from n+1 co-editor Chad Harbach‘s debut novel The Art of Fielding. The book appeared on our Great Second-Half of 2011 Book Preview, and it is presently available with each new subscription of n+1.
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Tuesday Links: More LBC, Bookride, Vonnegut
My nominee for this round has been posted at the LBC blog. Though it didn’t grab my cohorts enough to be named our “Read This” pick, I do highly recommend it.I recently happened upon bookride, a blog by a rare book dealer that each day posts about a valuable book, explaining why the book is collectible and why it’s worth what it is. Fascinating stuff. A recent post looks at a rare copy of The Waste Land.Simon at Bloggasm rounded up a bunch tributes to Kurt Vonnegut including a slightly modified version of my post from last week.
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How to Win
“If you read through all the citations, you’ll start to detect certain patterns. Any aspirant Nobel Prize–winner should take note—these may hold the key to victory.” The Paris Review has read through all of the Nobel Prize-winner citations and came to a couple of conclusions, such as “you should be great… but it also helps if you’re epic. Oh, and fresh!” Pair their piece with our own overview of newest laureate Patrick Modiano’s work, and The New Yorker‘s look into the translation of Nobel Prize-winning authors.
The Lives of Movie Characters
“Writing about film applies pressure to how ekphrastic writing can be possible, let alone evocative–and further, highlights questions that pertain to all kinds of writing, from honing poetic imagery to composing entire fictive worlds: how can writing engage or transform the fidelity of its subject(s)? How do you write about something so simultaneously ephemeral and fabricated, and yet intuitively, enduringly ‘real’?” For Ploughshares, Veronica Fitzpatrick on writing about film. Pair with this Millions piece on literary magazines in film and TV.
The Oyster Review
The e-book subscription service Oyster has recently launched The Oyster Review, and we have reason to be excited: the first issue names our own Emily St. James Mandel‘s Last Night in Montreal “The Book of the Week” and features a look at the novel written by former Millions intern Rachel Hurn.