Out this week: Lucky Boy by Shanthi Sekaran; A Mother’s Tale by Phillip Lopate; Huck Out West by Robert Coover; Fever Dream by Samanta Schweblin; The Midnight Cool by Lydia Peelle; The Antiques by Kris D’Agostino; Lotus by Lijia Zhang; and Collected Stories by E.L. Doctorow. For more on these and other new titles, go read our latest book preview.
“What is missing from Testimony is the customary idealistic hero, the one last encountered in Walt Whitman’s Leaves of Grass who doesn’t avert his eyes from suffering and sordidness, but who nevertheless is full of hope for a better future. Testimony is a corrective, an anti-epic.” Charles Simić recounts Charles Reznikoff’s long poem Testimony: The United States (1885-1915): Recitative in the NYRB.
What’s it like being a young journalist in a turbulent time for the business? Some of my fellow Medill grads and I have created a blog to discuss that and other pressing matters. If you’re a journalism junkie like I am, you’ll enjoy The Newshole. Check it out.Longtime Millions contributor Emre has started a blog called Live from Gybria, where he will chronicle his travels, his life as a Turkish expat, and his studies at my illustrious alma mater, the Medill School of Journalism. Luckily, Emre will still be posting here, too. In fact, we’ll be putting up some more of his reading journals here in the next few days.And congrats to Anne Fernald (proprietor of the litblog Fernham) whose book Virginia Woolf: Feminism and the Reader has just been published.
“In a new biography, The Lady with the Borzoi: Blanche Knopf, Literary Tastemaker Extraordinaire (Farrar, Straus & Giroux), Laura Claridge argues that Blanche Knopf was actually the more important and influential of the two Knopfs. That’s a stretch, but her book is still a long-overdue acknowledgment of the pioneering role Blanche played at a time when women were nearly invisible in the business world.” Find out more about Blanche Knopf at The New Yorker. Edan Lepucki’s 2011-2012 list on why not to self-publish is still relevant.
“If you can get some brilliant artists to make a musical about your childhood, I highly recommend it. It’s very cathartic.” Recent MacArthur fellow Alison Bechdel‘s hugely successful graphic memoir, Fun Home, has been adapted into a Broadway musical, and now she’s written a coda to the book that looks at what the musical has meant to her and what it could have meant to her parents. Pair with our interview with Bechdel here.
Columbia once moved its twenty-two miles of books by sending them down a really, really long slide. As The Paris Review documents, in 1934, the university stocked its then-new Butler Library with a slide that ran from Low Library to the new building. (No word on whether the slide is secretly used to this day.)