New this week: Human Acts by Han Kang; Homesick for Another World by Ottessa Moshfegh; Glaxo by Hernán Ronsino; The Gringo Champion by Aura Xilonen; and Transit by Rachel Cusk. For more on these and other new titles, go read our most recent book preview.
We already knew that Haruki Murakami was a writer and runner but a former jazz club owner, too? Aaron Gilbreath visited Murakami's 1970s jazz club, Peter Cat, and found "a drab three-story cement building. Outside, a first-floor, a restaurant had set up a sampuru display of plastic foods." For more Murakami, read our review of 1Q84.
Reviews are still in the literary news, and in the midst of all the nicey niceness and plentiful hot air, Alix Ohlin got a real smack down in the Times for her new novel, Inside, and her new collection of short stories Signs and Wonders. Which prompted J. Robert Lennon to consider: How does one even write a good "bad" review?
It's a big week for literary new releases. Chris Adrian's much anticipated new novel The Great Night is now out, as is Francine Prose's My New American Life. Also new this week are Roddy Doyle's latest collection of stories, Bullfighting, and the reissue of William Boyd's impish prank of a book, Nat Tate: An American Artist. Finally, past Booker shortlister Linda Grant has a new novel out called We Had It So Good.
“Few countries that debuted in the 1700s have been as controversial or long running (it’s into its 237th season now) as America. It may not have the staying power of perennial favorites such as China or the credibility of indie darlings such as Finland, but America has proven that it can at least make some cultural impact. It’s not the best, but hey, they can’t all be Louie.”