New this week: 4321 by Paul Auster; The Animators by Kayla Rae Whitaker; Mr. Iyer Goes to War by Ryan Lobo; The Man Who Never Stopped Sleeping by Aharon Appelfeld; and The Evenings by Gerard Reve. For more on these and other new titles, go read our most recent book preview.
Recently I reported on the launch of Two Dollar Radio Moving Pictures, a cinematic venture from the indie publishers in Ohio. Since then, a pair of teaser trailers have been released for the first films in the organization’s pipeline. One is for The Greenbrier Ghost, which was co-written by Crapalachia author Scott McClanahan. The second is for The Removals, and it was directed by Orange Eats Creeps author Grace Krilanovich. (A few years back I gave TOEC some love in my Year In Reading post.)
Out this week: Black Glass by Karen Joy Fowler; The Festival of Insignificance by Milan Kundera; The Book of Speculation by Erika Swyler; The Little Paris Bookshop by Nina George; The Truth and Other Lies by Sascha Arango; Tradition by Daniel Khalastchi; and Music for Wartime by Rebecca Makkai. For more on these and other new titles, check out our Great 2015 Book Preview.
As noted on Arts & Letters Daily, Yale’s decision to shutter its Initiative for the Interdisciplinary Study of Anti-Semitism raises the question, “Where does scholarship end and advocacy begin?”
David Orr investigates the day jobs of some modern poets, and notes “the university job is a relatively recent development in Anglo-American poetry.” Indeed, as this playful illustration from Incidental Comics makes clear, poets have engaged in a wide array of salaried jobs – from pediatricians to bank clerks to diplomats. Previously, we took a look at writers and their day jobs, too.