New this week is The Tiger's Wife, the hotly anticipated debut of Téa Obreht, the youngest of the New Yorker's 20 Under 40 from last year. Also new in the fiction aisle is Carol Edgarian's Three Stages of Amazement. David Brooks's latest pop sociology effort The Social Animal is now out -- this one, excerpted in the New Yorker -- sets itself apart from similar tomes by illustrating its findings through a pair of fictional characters. Now out in paperback are National Book Award winner Lord of Misrule by Jaimy Gordon, Ian McEwan's Solar, and Rebecca Skloot's non-fiction blockbuster The Immortal Life of Henrietta Lacks.
Out this week: The Windfall by Diksha Basu; Quiet Until the Thaw by Alexandra Fuller; The Destroyers by Christopher Bollen; River Under the Road by Scott Spencer; The Confusion of Languages by Siobhan Fallon; and Modern Gods by Nick Laird. For more on these and other new titles, go read our most recent book preview.
Booksellers across the country have loaded up dollies with towers of boxes and carted them to the front of the store. Amazon has broken into its super-secret, double-locked, chain-link fence. Dan Brown's The Lost Symbol is here. Understandably, other publishers have ceded this Tuesday almost entirely to the Dan Brown hype machine, but those looking for something (very) different can today find Joyce Carol Oates doing the zombie thing (not really) and the latest from Tao Lin.
In an excerpt of Out of Time, a new book on “the pleasures and perils of ageing,” author Lynne Segal makes a case that many iconic male writers -- among them Philip Roth, John Updike and Martin Amis -- display in their works a belief that the slow loss of virility is one of the most tragic effects of growing older for men. Citing passages from Toward the End of Time and Portnoy’s Complaint, she finds evidence that these writers' depictions of masculinity reveal “obdurate social hierarchies of gender and ageing." (Related: Keith Meatto on advice you can glean from Philip Roth’s work.)