“The so-called ‘alt-right’ is white nationalism repackaged as retro-chic, and its discourse constantly invokes nostalgia for a golden age in the Confederate South when racism when reigned supreme. The leaders of this project will need to be very careful that they don’t end up just creating a Disneyland for racists.” A coalition of local businesses in Monroeville, Alabama, Harper Lee‘s hometown, plan to open a major tourist attraction built around the late author’s home and fabrications of fictional locations featured in To Kill A Mockingbird. Critics are dubious, reports The Guardian. Perhaps, in lieu of a trip, you’ll accept this essay by Robert Rea about his literary pilgrimage to Lee-land?
Former Brat Packer Molly Ringwald makes her literary debut with When It Happens to You: A Novel in Stories this week. Also out this week, Where’d You Go, Bernadette by comedy writer turned novelist Maria Semple, The St. Zita Society by Edgar Award-winner Ruth Rendell, and, in non-fiction, Dreamland: Adventures in the Strange Science of Sleep by David K. Randall.
This review of Paul Murray’s newest novel, The Mark and the Void, praises Murray for his biting, weapons-grade one-liners and calls it “the funniest book ever written about the international banking system.” Here’s a link to our own, particularly hilarious interview with Murray.
“Like characters in a somewhat less swashbuckling Jack London novel, these are all characters, and writers, who are grappling with their environments.” Our own Lydia Kiesling writes for Salon about the “caucasian, Ivy-educated writers of literary fiction set in Brooklyn” and the novels they’re producing, particularly the just-released-yesterday Friendship by Emily Gould.
To the debate over whether or not male writers have trouble creating realistic female characters, we can add the opinion of Ester Bloom, who argues at The Hairpin that most male writers mold their female characters according to four archetypes: the virgin, the whore, the mother and the bitch.