New this week: Moonglow by Michael Chabon; I’ll Take You There by Wally Lamb; Morning, Paramin by Derek Walcott and Peter Doig; Selected Poems 1968-2014 by Paul Muldoon; and a new Richard Pevear translation of Alexander Pushkin’s complete prose. For more on these and other new titles, go read our latest fiction and nonfiction book previews.
Tuesday New Release Day: Chabon; Lamb; Walcott; Muldoon; Pushkin
In the Sleepy Fishing Village
Over at The New Yorker, Roa Lynn recalls going to Pablo Neruda’s home and getting him to write her a poem: “Would he read a few of the poems that I had brought with me? To my delight, he said that after lunch he would take his customary nap and after that he would read our poems. If he liked them, he would write something for our book.” Pair with this Millions essay about Neruda’s house in Isla Negra.
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“Last night I dreamt I went to Manderley again.”
Continuing Tin House’s great “The Art of The Sentence” series, Vishwas Gaitonde dives deep into the opening line from Daphne du Maurier’s Rebecca. (Come on, we all know the one.) Be sure to catch Tin House‘s previous TAoTS series installments as well.
My Dear Antlers
Ladette Randolph began the Writers and their Pets series on the Ploughshares blog in large part to celebrate her beloved dog Sally. It didn’t take long, however, for the series to expand, which eventually led to this week’s entry about Nina Mukerjee Furstenau’s pet elk.
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“A Native Son” in Ferguson
“It is early August. A black man is shot by a white policeman. And the effect on the community is of “a lit match in a tin of gasoline.” No, this is not Ferguson, MO.” Laila Lalami reports for NPR on rereading James Baldwin‘s Notes of a Native Son in the context of Ferguson. Pair with Teju Cole‘s essay in The New Yorker about rereading Baldwin’s “Stranger in the Village.”
Min Jin Lee Finds Her Voice
Min Jin Lee recounts how she found her voice, going from a young student struggling with the English language to a published author promoting her own work.
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