New this week: Moonglow by Michael Chabon; I’ll Take You There by Wally Lamb; Morning, Paramin by Derek Walcott and Peter Doig; Selected Poems 1968-2014 by Paul Muldoon; and a new Richard Pevear translation of Alexander Pushkin’s complete prose. For more on these and other new titles, go read our latest fiction and nonfiction book previews.
Tuesday New Release Day: Chabon; Lamb; Walcott; Muldoon; Pushkin
Fiction vs. Fear
In a By Heart piece for The Atlantic, Harriet Lane writes about the “bleak precise nature” of Philip Larkin‘s poetry (what Stephen Akey called “The Poetry of Mental Unhealth” in a Millions review) and about the power inherent in writing fiction. “In my everyday life I have no control, really: who does? But on paper, I hold all the cards. Fiction provides you with a way to shape a world, to exert the kind of power and agency our real lives so often lack.”
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No Shyster, He
Thanks to the efforts of Gerald Leonard Cohen, the world now knows where the word “jazz” came from, why certain types of sausages came to be called “hot dogs” and how New York got the nickname “The Big Apple.”
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Let There Be
“LET THERE BE stress. Let the body respond to stress as it does to injury and infection. Let stress be a vulture that pecks at the mind and devours the body. This will make people less likely to be stressed. When they see stress wreak wrath upon the body, they will surely calm down a lot.” It seems the big problem with intelligent design is that it had a pretty sub-par peer review.
Tuesday New Release Day: Barnes, Brooks, Thompson, Le Clezio, Shteyngart, Amis
New this week is Julian Barnes’ new collection of stories, Pulse. We also have new novels from Geraldine Brooks (Caleb’s Crossing) and Jean Thompson (The Day We Left Home). There’s also a new collection available from Nobel laureate J.M.G. Le Clezio (Mondo and Other Stories). And new in paperback: Millions Hall of Famer Super Sad True Love Story by Gary Shteyngart and The Pregnant Widow by Martin Amis.
Literary Writers in the Writers Room
Vanity Fair explores the change in attitude among the literati about writing for TV and notes that “[I]ncreasingly, the industry is ransacking bookshelves for adaptable novels and short stories. And fiction writers are becoming show-runners themselves.”
A Modest Debut
Adam Levin, author of the years-in-the-making The Instructions, steps into the spotlight.
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Step Right Up and Meet The Millions!
Tonight! Come out and meet The Millions! Listen to readings from Emily St. John Mandel, Sonya Chung, Michael Bourne, and Garth Risk Hallberg. Also, you can meet our editors C. Max Magee and Ujala Sehgal. Or, if you’re feeling testy, you can debate me in person about my recent eReader article!
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