New this week: Moonglow by Michael Chabon; I’ll Take You There by Wally Lamb; Morning, Paramin by Derek Walcott and Peter Doig; Selected Poems 1968-2014 by Paul Muldoon; and a new Richard Pevear translation of Alexander Pushkin’s complete prose. For more on these and other new titles, go read our latest fiction and nonfiction book previews.
Most readers have their own idiosyncratic systems for displaying the most valuable titles they own. For a lot of people, it makes the most sense to keep their favorite books on a particular shelf. At The Paris Review Daily, Sadie Stein writes about an odd phenomenon — “The Phantom Shelf,” which consists of books you love so much you had to lend them to friends. (Related: Kevin Hartnett on reading our parents’ bookshelves.)
Trying to get some writing done? Procrastinate with a game about trying to get some writing done without procrastinating.
According to a report for The Wall Street Journal (paywall), Barnes & Noble will be lessening its floor space allotted to traditional books in order to make way for more Nook displays. Over at Melville House’s blog, MobyLives, publisher Dennis Johnson speculates that this move could signify the end of the road for Barnes & Noble as a bookseller.
Last week, Erin Fortenberry reviewed Walter Kirn’s Blood Will Out for The Millions, writing that the events in the book were partly centered on Kirn himself. Now, in the Times, Janet Maslin reads the book, which struck her as “primarily a tale of seduction.”
“I lost the first good novel I ever wrote to a computer disaster. It happened at a crucial time in my life. I was working nights, living in a mouse-infested tenement in Giuliani-era Harlem and still figuring out if I could even do this thing — become a writer for real.” Mat Johnson on NPR’s All Tech Considered blog about the ultimate authorial nightmare, and how he recovered from it. Pair with our review of Johnson’s latest novel, Loving Day.
“There used to be a time when people read literature to confront stuff. To experience things vicariously—whether it’s a forbidden scene or a forbidden idea. I think now we’re looking to literature for an escape from that. I’m not sure why that is.” Guernica interviews Marlon James, whose most recent novel A Brief History of Seven Killings was reviewed on the Book Report.