The recipients of the 2016 Kirkus Prize have been announced, among them the novel The Sport of Kings by C. E. Morgan and In the Darkroom by Susan Faludi, a meditation on her father’s gender transition, in the non-fiction category. We reviewed two of the other fiction finalists this year: Carousel Court (here) and The Underground Railroad (here).
“The hijacking of public language, as is happening now, is a way to shift perception—to bend and control thought—and must be resisted.” Summer Brennan pens a powerful first entry for her twice-monthly column about language and power at The Literary Hub. Read also our own Lydia Kiesling, who tells us, “I have to believe that literature can be a weapon of a sort — it explodes comfort even while it delivers comfort; it reveals hypocrisy in a way that the mere presentation of facts often cannot.”
Recommended Reading: Nicole Krauss’s new short story, “I Am Asleep but My Heart Is Awake,” at The New Republic. “My mother had died when I was three. We had already dealt with death, in our way we’d agreed to be finished with it. Then, without warning, my father broke our agreement.”
Today arrives Barbara Kingsolver’s latest, Lacuna, “an epic journey from the Mexico City of artists Diego Rivera and Frida Kahlo to the America of Pearl Harbor, FDR, and J. Edgar Hoover.” Also out are a couple more of those nifty “Olive Editions” from HarperCollins, this time of Thomas Pynchon’s The Crying of Lot 49 and Sylvia Plath’s The Bell Jar. Update: There’s a new edition of Eric Schlosser’s Fast Food Nation too.
What would happen if two percent of the world’s population disappeared overnight? HBO’s new teaser for its adaptation of Tom Perrotta’s The Leftovers asks us to contemplate that question. From what we see so far, it looks terrifying. The series premieres on June 15.