Out this week: The Mothers by Brit Bennett; The Red Car by Marcy Dermansky; Him, Me, Muhammad Ali by Randa Jarrar; Future Sex by Emily Witt; Hungry Heart by Jennifer Weiner; Upstream by Mary Oliver; and Hag-Seed by Margaret Atwood. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
During the production of his classic film, Man of Aran, Robert Flaherty also directed an 11-minute short entitled Oidhche Sheanchais (“A Night of Storytelling”). It’s widely considered to be the first film recorded in the Irish language. For years, all extant copies were believed to be lost in a fire, but recently, researchers at Harvard’s Houghton Library rediscovered a nitrate print of the film.
Recommended Reading: On Patricia Highsmith, Carol, and being the queer daughter of a queer mother: “I am doomed to die an ugly death or at least to be separated from my partner, probably violently. So is my queer mother and my partner and my cousin and many of my friends. We are all doomed, it seems, because this is the only story American media tells about queer women.”
“It’s the marriage of one kind of darkness to another… the black storm cloud of Neel’s pen is well suited to Dostoyevsky’s questions of God, reason, and doubt.” On Alice Neel‘s illustrations for The Brothers Karamazov, from The Paris Review. Pair with our own Kevin Hartnett’s much lighter take on the novel, “Reading The Brothers Karamazov: Even a Toddler Knows a Funny Name When He Hears One.”