Out this week: The Mothers by Brit Bennett; The Red Car by Marcy Dermansky; Him, Me, Muhammad Ali by Randa Jarrar; Future Sex by Emily Witt; Hungry Heart by Jennifer Weiner; Upstream by Mary Oliver; and Hag-Seed by Margaret Atwood. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
Tuesday New Release Day: Bennett; Dermansky; Jarrar; Witt; Weiner; Oliver; Atwood
At Thep Moob Men’s Prison
Recommended Reading: an excerpt from Wells Tower’s short story, “The Dance Contest” which is fully available in the latest issue of McSweeney’s.
Mind the Label
“By casting my book as personal rather than professional—by marketing me as a woman on a journey of self-discovery, rather than a reporter on a groundbreaking assignment—I was effectively being stripped of my expertise on the subject I knew best.” Suki Kim on writing a work of investigative journalism that was miscategorized as memoir. Pair with this Millions piece in defense of memoirs.
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Bad for Books
“The idea that a ‘book of the year’ can be assessed annually by a bunch of people – judges who have to read almost a book a day – is absurd, as is the idea that this is any way of honouring a writer.” Amit Chaudhuri in The Guardian about why the Man Booker Prize “is bad for writers.” And in these pages, Mark O’Connell asks why we care about literary awards at all.
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Jane Eyre Goes Global
Matthew Reynolds examines how Jane Eyre became a global phenomenon, as well as how translators approach the thoroughly English text.
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Ann and Jeff VanderMeer on Fantasy’s Influence on Today’s Literature
Ann and Jeff VanderMeer take a look at fantasy's impact on contemporary pop culture, in their introduction to The Big Book of Modern Fantasy.
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Colson Whitehead on Making Eccentric Ideas Plausible
Colson Whitehead reflects on the fantastic fiction he consumed as a child and how it made the most eccentric ideas seem plausible.
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Murakami’s Jazz
Haruki Murakami’s love for jazz is no secret – he used to own a jazz bar, he’s written full essay collections on the music, and his books are peppered with references to jazz songs and musicians. How fitting, then, that there’s finally a playlist of jazz songs mentioned in Murakami’s writings. Pair with our many past essays on Murakami.