“Pornography has changed unrecognizably from its so-called golden age—the period, in the sixties and seventies, when adult movies had theatrical releases and seemed in step with the wider moment of sexual liberation, and before V.H.S. drove down production quality, in the eighties. Today’s films are often short and nearly always hard-core; that is, they show penetrative sex. Among the most popular search terms in 2015 were ‘anal,’ ‘amateur,’ ‘teen,’ and—one that would surely have made Freud smile—’mom and son.'” The New Yorker attempts to make some sense of modern pornography.
Softcore No More
Sonya Chung Reading at Long Island University
I’ll be reading at Long Island University in Brooklyn on Monday, April 4th at 12 noon, with Gary Shteyngart. I have no idea what I’ll be reading – possibly something new, or something very old.
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All She Can Ever Know
“I am writing a book my father will never see. Not in its entirety, not out in the world.” For Longreads, Nicole Chung writes about adoption, family, writing, and finishing her upcoming memoir, All You Can Ever Know, in the wake of her father’s sudden death. Pair with: Julie Buntin‘s Year in Reading entry which feature’s Chung’s memoir.
Table 4 Grant
Elaine Kaufman supported writers at her restaurant when she was alive, and the Table 4 Writers Foundation keeps her legacy going with its grant. The third annual writers’ grants contest will award a $5,000 grand prize and two $2,500 prizes for promising writers. Applications are due by November 15 and can be submitted here. For more on Kaufman, read our own Bill Morris’s tribute.
Best American Notables at The Millions
We’re proud to report that “Beautiful Babies” by our editor Lydia Kiesling and “Summer without End” by Wayne Scott were both named “Notable Essays” in the 2016 edition of The Best American Essays, edited by Jonathan Franzen.
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The Deletionist
“The Deletionist is a concise system for automatically producing an erasure poem from any Web page. It systematically removes text to uncover poems, discovering a network of poems called ‘the Worl’ within the World Wide Web.”
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