It’s that time of the week wherein I remind you about the hilarious series over at Electric Literature, “Ted Wilson Reviews the World.” This week, Ted tries his best to remain impartial while reviewing that one sneeze he had: “The sneeze I had came on so quickly I didn’t have time to put my hand over my face and the spray went everywhere. It made me wish I had been standing over a salad bar so there would have been a sneeze guard handy. That’s why if I’m about to sneeze at Olive Garden I immediately sprint for the salad bar.”
Amazon has just dropped the price on the Kindle yet again, but it comes with a big caveat. The Kindle can now be had for $114 if you select a version of the device that peppers you with special offers (Examples: $10 for $20 Amazon.com Gift Card; $6 for 6 Audible Books; etc). Before the purists out there go too crazy, it may be some consolation that these offers appear only on the home screen and screensaver; they don’t interrupt reading.
Every year, like clockwork, a few brave administrators ban a classic book in time for the opprobrium of Banned Books Week. This year, the brave administrators in question work in Randolph County, NC, where Invisible Man by Ralph Ellison will no longer be on the curriculum. Why? Real quote: it’s a “hard read.” (Related: Kelsey McKinney on banning The Bluest Eye.)
In 1945 and 1946, the FBI began keeping tabs on Jean-Paul Sartre and Albert Camus. The Cold War was just around the corner, and the Bureau suspected their new targets were secretly agents of Communism. However, FBI agents who followed the French writers evolved in the course of their spying: they became, in G.K. Chesterton’s phrase, “philosophical policemen.” (h/t Slate)
Jane Campion‘s Bright Star was released in theaters today. Read the New York Times‘ favorable review and watch a clip of Campion’s take on the romance between Romantic poet John Keats (Ben Whishaw) and Fanny Brawne (Abbie Cornish). According to papers on both coasts, it is Cornish who shines brightest: the NYT applauds her “mesmerizing vitality and heart-stopping grace.” You may recognize Whishaw as the demented/gifted perfumier Jean-Baptiste Grenouille from Tom Tykwer‘s adaptation of Patrick Suskind‘s 2001 novel Perfume: The Story of a Murder.
Picador’s Gabrielle Gantz is holding monthly conversations with bloggers, and she posts the results on the publishing house’s fantastic Tumblr. Here she interviews Aidan Flax-Clark, associate editor of Lapham’s Quarterly, and gets him to discuss the similarities between his research and The Matrix.