It’s that time of the week wherein I remind you about the hilarious series over at Electric Literature, “Ted Wilson Reviews the World.” This week, Ted tries his best to remain impartial while reviewing that one sneeze he had: “The sneeze I had came on so quickly I didn’t have time to put my hand over my face and the spray went everywhere. It made me wish I had been standing over a salad bar so there would have been a sneeze guard handy. That’s why if I’m about to sneeze at Olive Garden I immediately sprint for the salad bar.”
A Really Quick Exorcism
Dear Diary
This week in Bookends: in which Thomas Mallon and Pankaj Mishra muse on which writer’s journals are really worth reading. Here’s a bonus Millions piece on Bookends for all those New York Times devotees.
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Do you have a little bit of writerly blood thirst?
On June 7th Canteen is hosting a battle in NYC’s KGB Bar. The event is called Outwrite and will pit Matthew Aaron Goodman, author of Hold Love Strong, against twelve two unknown volunteers in a flash writing competition. Alexander Chee will be reading from his new novel while the contestants prepare their weapons. This would make a great #LitBeat, and if you’re interested in covering this, get in touch with me here.
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a hectic, unblanced life
D.T. Max’s forthcoming David Foster Wallace biography, Every Love Story is a Ghost Story, has been excerpted in Newsweeek magazine, and you can read it online.
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Ireland’s Debt; Debt to Ireland
John Jeremiah Sullivan writes about heritage, history, literature, and the Emerald Isle in this piece for The New York Times Magazine, “My Debt to Ireland.” In the essay, Sullivan talks about the Aran Islands, and in particular Dún Aonghasa. On our Tumblr, I’ve shared some photos I took at the place.
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Dry Eyes
“My daughter spent some of this summer performing a dance, which she learned at summer camp, to a certain song by Shakira, called “Waka Waka.” It was earnest, funny, beautiful dance; however, I am, it seems, unable to watch my daughter perform her Shakira dance, to a song I don’t very much care for, without sobbing. There is no explanation for this excessive reaction—the dance is homely and human and not at all out of this world—but that the reaction is about beauty, and joy, and potential, and not sorrow. And this, it seems, is one aspect of what crying celebrates: the sublime.” Here is Rick Moody, life coach, from The Literary Hub. Here’s a recent Millions interview with Moody.
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Sci-Fi and Colonialism
The Atlantic discusses the link between science fiction and colonialism. “The fact that colonialism is so central to science-fiction, and that science-fiction is so central to our own pop culture, suggests that the colonial experience remains more tightly bound up with our political life and public culture than we sometimes like to think.”
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Charles Wright is Our New Poet Laureate
You can get acquainted with Charles Wright, the nation’s newest Poet Laureate, by checking out interviews he did with StorySouth and The Paris Review, and also by reading his work – much of which can be found online. Might I suggest this poem, which was published by the VQR?
Book Learnin’
“This is the first time that the college has embarked on such a robust process for measuring Core Educational Competency In Reading Things In Books And Writing About Them, and we really can’t do it without your mandated participation. We have devised this rubric in consultation with the Office of Institutional Research About the Institution, which tirelessly gathers data and then enters it into spreadsheets. Please see their Statement of Very Worthy Goals in attachment 6.”
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