It’s that time of the week wherein I remind you about the hilarious series over at Electric Literature, “Ted Wilson Reviews the World.” This week, Ted tries his best to remain impartial while reviewing that one sneeze he had: “The sneeze I had came on so quickly I didn’t have time to put my hand over my face and the spray went everywhere. It made me wish I had been standing over a salad bar so there would have been a sneeze guard handy. That’s why if I’m about to sneeze at Olive Garden I immediately sprint for the salad bar.”
A Really Quick Exorcism
Tuesday New Release Day: Hemon; Atkinson; Disabato; O’Brien; Adrian; Vermes; Sneed; Foley; Baker
New this week: The Making of Zombie Wars by Aleksandar Hemon; A God in Ruins by Kate Atkinson; The Ghost Network by Catie Disabato; The Love Object by Edna O’Brien; The New World by Chris Adrian and Eli Horowitz; Look Who’s Back by Timur Vermes; Paris, He Said by Christine Sneed; Hugo & Rose by Bridget Foley; and Scavenger Loop by David Baker. For more on these and other new titles, check out our Great 2015 Book Preview.
Sarah Palin, White Goddess
N+1’s Marco Roth turns in an ambitious and historically nuanced exploration of white grievance in a putatively postracial America. Highly recommended.
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Unfashionable Genius
“There is a unity to all of Robinson’s work, and this is part of what makes her so great. Her writing expresses a consistent and compelling vision of the world—a vision that sees the real as revelatory, the everyday as wondrous, Spokane as leading to Galilee.” Anthony Domestico profiles Marilynne Robinson and her new novel Lila, which we’ve mentioned here and here and here, for Commonweal.
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Alice Oswald Protests Prize
Award-winning poet Alice Oswald has pulled out of prestigious poetry award the TS Eliot prize in protest over its sponsorship by an investment company. Oswald’s words: “I think poetry should be questioning not endorsing such institutions.”
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If It Is Fine Tomorrow
This list of the ten best weather events in fiction history includes, among other things, the mud in Charles Dickens’s Bleak House and the fraught weather forecast from Virginia Woolf’s To The Lighthouse. Let’s talk a little bit more about weather with this review from The Millions.
Rote She Wrote
At The NYT Mag, Virginia Heffernan‘s “Drill, Baby, Drill” explores the possibility that drills and memorization might not be quite as oppressive as some of the kinder, gentler pedagogues of our time suggest and offers a list of aps to help aspiring rote learners (Nota Bene: VerseByHeart).
And then I was like “Alas!”
For everyone who harbors a deep and mildly-embarrassed love for GIFs in the significant, non-linguistic part of their brains that finds repeated facial expressions far more memorable than words: Ploughshares’ series on classic novels (1984, The Catcher in the Rye, The Scarlet Letter, The Hobbit) will have you laughing and building your cocktail-party knowledge all at once.