Is it possible to share something with a “maybe don’t read this” tag attached? The literary internet has been buzzing today over the moral implications of stripping a writer (and, by association, a human) of their anonymity after this piece on Elena Ferrante was published in the NYRB. Read it or don’t read it, but definitely read her work.
“For the first half of a new book, maybe you want your back against the wall. Gunslinger style. Nothing can sneak up on you except your own bad sentences,” Colson Whitehead said. He and four other authors discussed where they like to write in The New York Times. Bonus: See where our writers work.
“White Americans do not realize how black they are,” writes Andrew Sullivan at the Daily Dish. If, upon reading Sullivan, you find yourself questioning your racial identity, try the blog Stuff White People Like–sure, most of it is really stuff that dinks and yuppies like (class trumps race, as Walter Ben Michaels explains at the LRB), but it might help you brush up on the ways and loves of white folks: camping, pea coats, hating your parents, Wes Anderson, diversity, sushi, standing still at concerts…
Recommended Reading: Poet and novelist Carmen Boullosa on her obsession with lost stories and found textual objects, as well as the efficacy of rereading.
“What women do in the books mentioned here doesn’t consist of survival so much as sabotage. They throw bricks and rocks and flaming bottles into the chinks of the masculine world machine, then pick up a gun and fire into the turning gears. If rape and other sexual violence, religious servitude, and the politically determined inaccessibility of contraception can be seen as acts of war, stories like these may not just be a means of escapism. In the mind’s eye, they might be weapons, to be picked up, opened, and deployed.” At the Boston Review, Elizabeth Hand looks at women who fight back in fiction, from Gone Girl to Medea.