Keeping Up

James Tate Hill shares his experiences as a writer who cannot read. “When I say I can’t read, I’m not referring to illiteracy, but to the large blind spots in my central field of vision that put an end to my unremarkable driving career a few months after my 16th birthday.”

In The Atlantic, Johnathan A. Knee writes about how curation and aggregation can be more profitable than content creation. That is the idea behind BookLamp, a new search engine based on books’ content and writing style, not sales data. “At times, being able to ignore the marketing data can be good for the recommendation,” explains CEO Aaron Stanton.

Both Ed and the Washington Post interview Tobias Wolff on the occasion of the release of his new collection, Our Story Begins.Bookride chronicles some of the most unlikely and amazing discoveries in the history of book collecting. In part one, he discusses many runners-up – including “An incredible collection of modern first editions, mostly fine in jackets turned up in the 1980s in a shed in the Australian desert causing dealers to fly in from New York, Berkeley and Santa Barbara.” Part two covers the greatest find. It begins “In 1907, during his second expedition to Chinese Central Asia, Sir Aurel Stein, a Hungarian-born British archaeologist, encountered a monk who showed him a hoard of manuscripts preserved in a cave near Dunhuang.”In BOMB, Zachary Lazar and Christopher Sorrentino discuss Lazar’s book Sway. Lazar appeared in our Year in Reading.You may have to wait ten years for the rest of it, but Junot Diaz gives readers a sneak peak at his next novel at Omnivoracious.Baseball predictions, highly personalized.J.K. Rowling, now retired from writing about a boy wizard, has embarked on the next step of her career, protecting her legacy. First up is a lawsuit against a companion book written by a superfan librarian. But, as the Times seems to indicate with its account of the trial, that way madness lies: “The librarian, Steven Jan Vander Ark, had the mild-mannered demeanor of Ron Weasley, and the intelligence, charm – and haircut – of Harry Potter. Even his name sounds like that of a character in one of the books, if preceded by “Lord” or “Master.” Although, at 50, he is older than Ms. Rowling, 42, he looked like a schoolboy, with an unlined face and caramel-colored hair parted down the middle.”

What do you get if you combine Man Ray with some of the most celebrated artistic figures of 1920’s Paris such as Ernest Hemingway, Lee Miller, and Marcel Duchamp? The answer is: some predictably fantastic portraits. For more on Man Ray, here’s a moving essay on how his Hollywood Album redefined Liska Jacobs’ idea of a “life’s work.”