“An easel stood just inside the big glass doorway when I entered the store. On it leaned my author photo, the one from the back cover of Domestic Violets, and it was fucking enormous. It was the size of a photo you’d expect to see if Bono had been appearing at Barnes & Noble, Bill Clinton maybe, or perhaps the Reverend Desmund Tutu. For a full 30 seconds I stood there and looked at the gigantic, painstakingly airbrushed picture of myself. An elderly couple walked in and did a double take when they saw a stunned-looking me looking at me. ‘It’s too big,’ I told them.” This is what you do when no one shows up to your reading.
Five Rows of Startlingly Empty Chairs
Tuesday New Release Day: Dante, Wilson, Riley, Waite
New this week: Clive James’s translation of Dante’s The Divine Comedy, Edward O. Wilson’s Letters to a Young Scientist, Amity & Sorrow by Peggy Riley, and The Carrion Birds by Urban Waite.
Talking Covers Talks Covers
Fans of our U.S. and U.K. book cover comparison should head on over to Imprint Magazine for an interview with Talking Covers founder Sean Manning.
They call it an accident, a catastrophe. But it was a war.
n+1 publishes a chilling personal account of the Chernobyl nuclear disaster, as the crisis mounts at Japan’s Fukushima Daiichi nuclear power plant.
Tuesday New Release Day: Hadley, ESPN, Gladstone
New Yorker darling Tessa Hadley has a new novel out this week, The London Train. Also out is the controversial oral history of ESPN, Those Guys Have All the Fun: Inside the World of ESPN, which reportedly offers up ample doses of insider gossip and bad behavior. And finally, there’s The Influencing Machine: Brooke Gladstone on the Media, in which contemporary journalism is explored in a graphic novel format. Here’s a taste.
Big, Bent Ears
This week the Paris Review launched a new online series, Big, Bent Ears, a “Serial in Documentary Uncertainty” masterminded by Sam Stephenson and Ivan Weiss. Each installation features “a combination of video, audio, photography, and writing in various arrangements and states of completion,” and the first chapter overlaps Joseph Mitchell and the Big Ears Music Festival even though “the two projects seem to share little: one concerns a wordsmith, a chronicler, and preserver of fading traditions; the other, musicians challenging tradition and musical forms on a sometimes radical basis.”
Hang Out with The Rumpus, Ctd.
Looking to fill your schedule at this year’s AWP? The Rumpus is hosting an offsite event — featuring readings by Katie Crouch, Monica Drake, Gina Frangello and Wesley Stace — on Thursday night at 8:30.