“Listen to what makes your hair stand on end, your heart melt, and your eyes go wide, what stops you in your tracks and makes you want to live, wherever it comes from, and hope that your writing can do all those things for other people. Write for other people, but don’t listen to them too much.” Being a writer is really hard. Fortunately, Very Good Writer Rebecca Solnit is here with ten tips on how to be a better one.
The LA Times has a review up of Eula Biss's On Immunity: An Innoculation, an "elegant, intelligent and very beautiful book, which occupies a space between research and reflection." We covered the collection in our Second-Half 2014 Book Preview, and Biss's first book, Notes from No Man's Land, has appeared in several Millions pieces over the last few years.
At Jacket Copy, Carolyn Kellogg talks with Jonathan Lethem about his new novel Chronic City "I love to dwell in the space of a novel -- I don't find writing uncomfortable, it's something I really love doing. Writing a long novel, especially, it means that I'm creating this whole other set of people that I'm interested in, and this whole other world I get to go into, and I try to stay there. I try to go every day, not just to see the word count amass, which is helpful, but because then my subconscious is kind of living there."
"He had never slept in a better bed, Rainsford decided later, lying in his bed, after they had played several rounds of various games, and didn’t hunt one another at all." You probably encountered Richard Connell's The Most Dangerous Game at some point during your educational career -- you definitely never came across this "comforting and anodyne" version, though.
Catching you up to speed with two recent literary controversies: 1) Poets & Writers' MFA rankings kerfuffle gets a climactic and eloquent summary from The Missouri Review's Michael Nye. 2) In response to her Salon article, "How the National Book Awards made themselves irrelevant," Victor LaValle has some fightin' words for Laura Miller.