Spooky! The good folks over at The New York Times understand that there is only so much time left to bask in the eerie Halloween vibe, so they’ve put together this helpful list of the latest and best in horror fiction to help you find something suitably scary to read.
Peter Ackroyd, a man who T Magazine writer Jody Rosen calls "[an] insanely prolific, controversial and eccentric novelist and historian,” has published, at last count, nearly 6,500 pages of text. That incredible figure equates to more than fifty books, many of them with titles like Dickens: Public Life and Private Passions. (At present, he’s working on a biography of Alfred Hitchcock.)
Dave Eggers' latest, A Hologram for the King, is out today. Also out this week is an under-the-radar, new effort from Richard Russo, Interventions, a collection that's a collaboration with his artist daughter Kate Russo. Sheila Heti's How Should a Person Be? is out (Don't miss our illuminating interview). And Michael Frayn has a new novel, Skios. More new fiction: Don Winslow's The Kings of Cool (a prequel to Savages), Joshua Henkin's The World Without You, and Carol Rifka Brunt's Tell the Wolves I'm Home. In non-fiction, There's David Maraniss' Barack Obama: The Story.
“Almost as soon as the concept of the Great American Novel was invented, in the nation-building years after the Civil War, Buell finds it being mocked, noting that one observer dryly put it into the same category as ‘other great American things such as the great American sewing-machine, the great American public school, and the great American sleeping-car.’ It was enough of a cliché by 1880 for Henry James to refer to it with the acronym 'GAN,' which Buell employs throughout his book.” On the reigning gold standard for quality in American fiction. (Related: we asked nine experts their picks for the best American novel.)
There are all kinds of arguments for reading the canon (Italo Calvino's come to mind) but why should we spend time reading untested contemporary authors? Tim Parks tackles this question, with a little help from Virginia Woolf, for The New York Review of Book's blog, and his argument pairs well with Guy Patrick Cunningham's Millions essay on reading the classics.
Over at Full Stop, Scott Cheshire mulls the concept of Armageddon, or, as he calls it, “The Other American Dream.” Meanwhile, a French photography team is traveling the world to take pictures of cities “without signs of life.” Perhaps the fascination isn’t so American after all.