We’re proud to report that “Beautiful Babies” by our editor Lydia Kiesling and “Summer without End” by Wayne Scott were both named “Notable Essays” in the 2016 edition of The Best American Essays, edited by Jonathan Franzen.
The Asian American Literary Review is releasing their Special Issue Commemorating the 10th Anniversary of September 11 with a launch party this Friday at 7pm in downtown New York at Alwan for the Arts. The 350-page(!) issue has interviews, essays, and first person testimony on 9/11 by South/Asian and Arab American contributors — including Kazim Ali, Amitava Kumar, and Khin Mai Aung from AALDEF (the Asian American Legal Defense and Education Fund) — several of whom should be at the launch.
Reviews are still in the literary news, and in the midst of all the nicey niceness and plentiful hot air, Alix Ohlin got a real smack down in the Times for her new novel, Inside, and her new collection of short stories Signs and Wonders. Which prompted J. Robert Lennon to consider: How does one even write a good “bad” review?
You’re only supposed to consume oysters in months with the letter “r” in their English (and French) names. This is because oysters in the Northern hemisphere are more likely to spoil during the warmer months of May, June, July, and August. So if you can’t eat ‘em, you might as well hear about ‘em instead, right? Presenting this video of Seamus Heaney reading his poem, “Oysters” (Text here).
“What is the value of a book cover if fewer and fewer people shop at bookstores?” Nicholas Blechman wonders about the purpose of the book cover at The New York Times Book Review, but he also rounds up some of the best covers of 2014, including the design for Eimear McBride‘s A Girl is A Half-Formed Thing (Millions review here, McBride’s “Year in Reading” here).