“Expertly constructed, Mister Monkey is so fresh and new it’s almost giddy, almost impudent with originality. Tender and artful, Prose’s 15th novel is a sophisticated satire, a gently spiritual celebration of life, a dark and thoroughly grim depiction of despair, a screwball comedy, a screwball tragedy.” Cathleen Schine reviews Francine Prose’s newest novel, Mister Monkey, over at The New York Times.
“In the dark comes spiders out of art and first I’m sleuthed away. Measuring up the vying worlds. Meandering into the emphasised words but under neat speeches are oceanous platitudes and so I slide and slide.” An exclusive excerpt from Year in Reading alumna Eimear McBride’s new novel, The Lesser Bohemians, in The Times Literary Supplement.
“Since scientific knowledge is still growing by a factor of ten every 50 years, it should not be surprising that lots of facts people learned in school and universities have been overturned and are now out of date,” writes Ronald Bailey in his review of Samuel Arbesman’s The Half-life of Facts.
The Recuyell of the Histories of Troye, the first book published in English, recently sold at auction for almost 2 million dollars.
“There are many ways to define ‘success’ as a writer,” and Jeffrey Condran writes about his own path to and definition of writerly success for The Missouri Review‘s blog. Hint: it has something to do with craft, something to do with editing, and a lot to do with a certain magazine.
John Jeremiah Sullivan‘s NY Times essay “You Blow My Mind. Hey, Mickey!” was a big hit last June. Next October, FSG will publish Pulphead, his second collection of essays. To tide you over until then, you can listen to The Paris Review‘s Southern Editor read an excerpt from his Disney piece.