Out this week: Nutshell by Ian McEwan; Jerusalem by Alan Moore; Commonwealth by Ann Patchett; Black Wave by Michelle Tea; Umami by Laia Jufresa; Loner by Teddy Wayne; Little Nothing by Marisa Silver; Every Kind of Wanting by Gina Frangello; Avid Reader: A Life by Robert Gottlieb; This Vast Southern Empire by Matthew Karp; When in French by Lauren Collins; and Intimations by Alexandra Kleeman. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
Tuesday New Release Day: McEwan; Moore; Patchett; Tea; Jufresa; Wayne; Silver; Frangello; Gottlieb; Karp; Collins; Kleeman
Hayao Miyazaki Retires
Renowned filmmaker Hayao Miyazaki recently announced his retirement, and noted that his forthcoming film The Wind Rises will be his last. In honor of his storytelling legacy, TheLittlePrince.com dug up an old list of the animator’s 50 favorite books.
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Breaking Out
As part of a collaboration with several international magazines, Full-Stop is publishing Babelsprech International, a series of articles on poetry around the world. In the latest edition, Karel Piorecký writes about contemporary Czech poetry, drawing a line between the pre- and post-Communist periods. Related: John Yargo on the Czech writer Bohumil Hrabal.
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Miles Klee Gets Interviewed All Over the Place
Ivyland author (and enthusiastic Tumblr-er) Miles Klee was interviewed by Matt Hackett, and a snippet was posted on Tumblr’s new Storyboard blog. If you like what you see, you can get even more from Klee courtesy of his recent Other People Podcast with Brad Listi.
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Galileo’s Taste; Galileo’s Work; Galileo’s Life
Can Galileo’s literary preferences teach us about “the unusual and creative features of his physics?” John L. Heilbron thinks so.
She was the shadow of the waxwork lain
A waxwork being billed as “the most accurate likeness of author Jane Austen” ever created has been unveiled at her museum in Bath, England.
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“The muscle that helps you ignore people with bad advice”
“The greatest mistake the American writer ever made was asking everybody else what they thought of their writing. Look around your current writing workshop. Look right and left. Most of those people will stop writing. Because it’s too hard, they have no ideas, no one understands them, whatever. A few of those failed people will become editors. These are the only people in the room who should ever really matter to you.”