Out this week: The Fortunes by Peter Ho Davies; Dear Mr. M by Herman Koch; Sleeping on Jupiter by Anuradha Roy; The Revolutionaries Try Again by Mauro Javier Cardenas; Perfume River by Robert Olen Butler; Weapons of Math Destruction by Cathy O’Neil; Words on the Move by John McWhorter; The Pigeon Tunnel by John le Carré; Hidden Figures by Margot Lee Shetterly; The Art of Waiting by Belle Boggs; Strangers in Their Own Land by Arlie Russell Hochschild; and Here I Am by Jonathan Safran Foer. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
“In the twenty-first century, the lyric essay at its worst is a utility or an app; at its best, it’s a cross-hatch of a genre in which things cross over; implicitly chiasmic, it’s a space in which incompatible discourses are allowed to intermingle; wherein poetry and prose create productive frictions, enabling a new, unnatural form, illegible and readable for the first time.” Mary Cappello writes about the lyric essay and Djuna Barnes.
“Throughout the Crash, I wrote free-hand, not caring about the style or if something I wrote in the afternoon contradicted something I’d established in the story that morning. The priority was simply to get the ideas surfacing and growing. Awful sentences, hideous dialogue, scenes that went nowhere – I let them remain and ploughed on.” Newly minted Nobel laureate Kazuo Ishiguro on writing The Remains of the Day in four weeks.
Stephen King is working with Dennis Calero to publish a free, weekly eComic entitled “Little Green God of Agony.” Readers can check it out on his website. Over at PopMatters, Dominic Umile looks closely at the comic’s emergence, as well as the author’s interest in the horror comics genre.