Recommended Reading: On Patricia Highsmith, Carol, and being the queer daughter of a queer mother: “I am doomed to die an ugly death or at least to be separated from my partner, probably violently. So is my queer mother and my partner and my cousin and many of my friends. We are all doomed, it seems, because this is the only story American media tells about queer women.”
“The real world is massive and chaotic beyond the scope of any story, but the novel has always been the storytelling medium that could come closest to capturing it. And the novels that dared to really try – from Hugo to Tolstoy – are often the ones that have endured.” That’s not to say, of course, that bigger is always better, and in an article for The Guardian Damien Walter argues against the current glut of epic, serialized fantasy novels taking their cues from George R.R. Martin‘s A Song of Ice and Fire. As Walter puts it, “There are great fantasy short stories, novellas and single novels that deserve much wider audiences, but are sidelined by the industry’s unhealthy fixation with the serial format. It’s time for the fantasy genre to tell some new – shorter – stories.”
Portland-based Literary Arts is offering a total of $59,000 in Fellowships and Book Awards this year for Oregon-based writers and their published works. Past prize recipients have included Wild author Cheryl Strayed, as well as Patrick deWitt for his novel, The Sisters Brothers (which our own Mark O’Connell raved about).
The 2012 finalists for the Costa (formerly Whitbread) Book Awards have been anounced. In the “Novel” category, they are Bring up the Bodies by Hilary Mantel, Life! Death! Prizes! by Stephen May, The Heart Broke In by James Meek, and Days of the Bagnold Summer by Joff Winterhart. The Costa site has lists of the nominees in all categories.