“BEST FEATURE: If you glance at the word it looks like it says ‘tiny axe’ which sounds very cute. It makes me picture a tiny lumberjack. WORST FEATURE: Anxiety can turn a pleasant afternoon into a sweat-drenched pair of slacks that are hard to explain.” Ted Wilson reviews anxiety (spoiler alert: it only gets one star out of five) for Electric Literature.
Sleep Indulgence and Piñata Effigies
Allies Respond
Writers John Keene, Dawn Martin Lundy, and others respond to the mass shooting in Orlando. “Homophobia, transphobia, and ideologically-nurtured hatreds of all kinds, coupled with semi-automatic weapons, provide the fuel for terror, in this case literally,” says Keene.
Lolita, in the Margins
When Vladimir Nabokov developed a screen adaptation for Lolita, his director Stanley Kubrick declared it the “best ever written in Hollywood”–meaning, it seems, most gorgeously novelistic, evocative, readable. Here’s a short excerpt of his screenplay with original margin notes.
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Out of the Rain
The word “nostalgia” comes from the Greek root nostos, meaning “return home,” and algos, or “pain.” It’s painful because we cannot return home again. Ramp up the nostalgia and check out this elegy to the old school book tour by Keith Lee Morris. If we’re talking book tours, here’s a piece on the distinct personality types sure to derail your literary event.
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Extremely Loud and Incredibly Far
“I worry that the closer the world gets to our fingertips, the further it gets from our hearts.” Jonathan Safran Foer believes that technology is making us more detached. Pair with The New Yorker’s essay on netiquette.
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The Notebook Takes the Stage
Nicholas Sparks is working on a Broadway musical adaptation of The Notebook. The question this raises, of course, is whether or not current internet meme-célèbre Ryan Gosling will reprise his starring role.
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Books and Bankruptcy
McSweeney’s has a personal account of the end of an antiquarian book business. This is a bummer (the bankruptcy, not the writing of Bill Cotter, a very pleasant man to whom I once tried to sell a book). (Via).
The Year of Incendiary Writing
Caitlin Flanagan’s long Atlantic piece on Joan Didion has sparked a lot of conversation. Among the article’s contentious lines: “to really love Joan Didion … you have to be female.”
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Not Enough Thrills
There’s no official protocol for responding to a disappointed fan, but that may change after more writers get wind of this response, written by Threats author Amelia Gray, to a man who complained that her book was “nothing more than conversations among insane people.” Gray admitted that the man’s gripe did, in fact, have merit, after which she urged him to buy a copy of A Time to Kill.
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