“BEST FEATURE: If you glance at the word it looks like it says ‘tiny axe’ which sounds very cute. It makes me picture a tiny lumberjack. WORST FEATURE: Anxiety can turn a pleasant afternoon into a sweat-drenched pair of slacks that are hard to explain.” Ted Wilson reviews anxiety (spoiler alert: it only gets one star out of five) for Electric Literature.
“The most interesting writers we know, all asking and answering the same question: why can’t we stop watching cat videos?” Coffee House Press one-ups all boring Kickstarter campaigns with Catstarter, a campaign to fund a book on cat videos and “how we decide what is good or bad art, or art at all.”
“As much as there is an evergreen fascination for Christie’s stories, there’s also an alluring air of mystery surrounding the woman herself.” Broadly explores the enduring nature of Agatha Christie‘s stories, the recent surge in adaptations (including Murder on the Orient Express), and the mysterious 11-day disappearance of the writer herself. From our archives: an essay on the sometimes inherent predictability of the mystery genre.
Baz Luhrmann’s much-delayed Great Gatsby film adaptation may justify its long post-production schedule after all. In an announcement this past week, it was made clear that Jay-Z is “composing the upcoming film’s original score.” The film’s latest trailer can be found here.
“Too often, a woman’s pain is not merely met with doubt, but suspicion, both within the medical community and outside of it.” The New Republic writes about female pain, the medical community, and Abby Norman‘s book, Ask Me About My Uterus: A Quest to Make Doctors Believe in Women’s Pain.