“Stop / fucking posting about / Klonopin, or cutting yourself / or throwing up—Save it / for a shitty poem like a normal / wretch.” On the anger and joy of Tommy Pico, a Native-American poet in Brooklyn, over at The New Yorker.
Michael Lewis’s last book made our Hall of Fame. Now he’s back with a new book that widens his focus to the financial dramas around the world with Boomerang: Travels in the New Third World. Also out this week, Jose Saramago’s posthumously published Cain, Helen DeWitt’s long-awaited Lightning Rods, Michael Ondaatje’s The Cat’s Table (reviewed here), Anne Enright’s The Forgotten Waltz, Alice Hoffman’s The Dovekeepers, Jim Harrison’s The Great Leader, and Booker shortlisted The Sense of an Ending by Julian Barnes. Also out: From the master of “molecular gastronomy,” The Family Meal: Home Cooking with Ferran Adria and, as noted in our recent piece “What Ever Happened to the New Atheism?” The Magic of Reality by Richard Dawkins.
You have the entire month of August to enter Black Warrior Review’s ninth-annual poetry, fiction, and nonfiction contest. All entrants will receive a one year subscription to the magazine, and the winners of each genre will receive a $1,000 prize as well as publication in the Spring/Summer 2014 issue.
The Corrections might never make it to screen, but Jonathan Franzen’s New Yorker essay on songbird poaching, “Emptying the Skies” (behind the paywall), is already a documentary. The film follows a group of bird lovers trying to save the endangered animals and even includes an interview with Franzen. Although the documentary just found a distributor, there is no word on an official release date. Until then, here’s the trailer.
Today in book-related graphics: The Arts Shelf has created an infographic measuring famous literature by word count, and The New York Times provides a handy, illustrated guide to any writers’ retreat, complete with authors’ cloisters and an “emergency idea generator.”