“I haven’t been able to write since the moment I started thinking I could or should be making money as a writer.” Meritt Tierce with a refreshingly candid piece on writer’s block and how success doesn’t always negative the likelihood of failure.
Dog Eat Dog
Colbert’s Children’s Book
Stephen Colbert is keeping his promise to Maurice Sendak. The comedian will publish his children’s book I Am a Pole (And So Can You!) this spring. “I hope the minutes you and your loved ones spend reading it are as fulfilling as the minutes I spent writing it,” Colbert told The Hollywood Reporter. (See also: Colbert’s equally literary meeting with Ann Patchett)
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Fantasies of Desires
“(The Great Gatsby) is often considered the greatest American novel of the 20th century—I waver on that sometimes but I love the beauty of its writing, its tabloid immediacy, the high body count, its modernistic touches, the relentless drama put into its novella-length form.” Bret Easton Ellis’s top ten favorite books doesn’t include many surprises, but it’s worth a look.
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Oxford Marginalia Group
Recommended reading: Lauren Collins writes for The New Yorker about the Oxford University Marginalia group and the fate of bookish scribblings.
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J.E. Fishman on The New York Times
On The Nervous Breakdown this week, J.E. Fishman considers the book review practices of The New York Times: “My view is very much eastern, very much old school, where a book review from the Times was the only sure sign that an author had arrived. But maybe it’s time to rethink that, and this rethinking has been long overdue.”
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Cirque Du Freak
The latest actor to go vampire? John. C Reilly! As you might expect, he’s a hammy vampire, not a sparkly one. See the preview for Cirque du Freak: The Vampire’s Assistant
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Van Gogh Was Cheap
Shakespeare was an insult master, as were Churchill, Dorothy Parker, Oscar Wilde and… Cézanne? Apparently so. In The Irish Times, Colm Tóibín reads through the painter’s letters, one of which includes a gripe that “Pissarro is an old fool [and] Monet is a wily bird.” (You could also read Claire Cameron’s Millions review of Tóibín’s latest novel.)