“I don’t want to write ‘funny’ books where we all have to laugh our heads of all the time. The humor should come from behind, where we don’t expect it. And the life of a well-known writer is something you can laugh about quite easily.” On the occasion of his new novel Dear Mr. M, our own Claire Cameron interviews Herman Koch over at Salon.
The New Inquiry‘s updated site launched over the weekend, and it’s currently undergoing a live beta test. They’ve also just unveiled a bumper crop of new bloggers. One of the site’s interesting features is that all of its content is available for sharing and remixing under a creative commons license.
“Steinem welcomed them all—the rich, the celebrities, the climbers for the cause. She was a radical but, consciously, never an outsider. She enjoyed the world where she plied her trade as an entrepreneur of social change, and, with her mouth spray at hand, she had long since mastered the subterfuges of talking truth to power. You could call it consciousness-raising—on a wider canvas.” The New Yorker profiles Gloria Steinem in anticipation of her latest release, My Life on the Road.
Recommended Reading: Louise Erdrich’s new short story in The New Yorker, “The Big Cat,” which is about snoring among other things. “The women in my wife’s family all snored, and when we visited for the holidays every winter I got no sleep.” Deborah Treisman also interviewed Erdrich about the story. “I like the idea that this story reads like a fairy tale, but there is no moral at all, unless it’s Beware of Snoring Cats. Nothing I write ever has a moral.”
In his review of Lee Friedlander’s collection, Playing for the Benefit of the Band: New Orleans Music Culture, Nathaniel Rich remarks on the “unsettling beauty” of the artist’s photographs.
In The Atlantic Adrienne Green reviews the growing number of Young Adult novels tackling racial injustice and how this increase on the topic is no coincidence. “Coming out of the crucible of the past few years—during which young people have been integral to pushing conversations about the unjustified killings of black men to the forefront—the novels capture the many ways that teens of color cope with prejudice, whether through activism or personal accountability or protest.”
We hear a lot about the books writers read while drafting their own novels and stories. But we don’t hear as much about the music, TV shows and other forms of art that kept them going throughout the process. At Page-Turner, Amy Bloom catalogues the influences on her latest novel.