“It soon emerged that there is a uniquely British brand of feeling, a blend of distress and composure marked by a touching compulsion to keep up appearances in the face of interpersonal dissolution. For all its prevalence and subtlety, this mode of engagement is difficult for the uninitiated to decipher or even to discern, and I would have remained oblivious of it if not for the works of Dame Iris Murdoch, a connoisseur of British emotional life in all its baffling permutations.” On Iris Murdoch and the British brand of distress and composure.
“When I have an idea that will later, sadly, become a story or a poem, I have a sensation of receiving something. But I do not know if that “something” is given to me by something or someone or if it bursts out on its own.” An excerpt from Borges‘s conversations with the Argentinian poet and essayist Osvaldo Ferrari on writing, memory, and God is now available on The New York Review of Books blog.
According to some new research conducted by ebook retailer Kobo, the digital reading revolution (if it still exists) is being powered by prolific readers who are primarily female and older than forty-five. The study asserts that women make up almost seventy-five percent of “active” e-readers, defined as those who spend more than thirty minutes per day reading. What does all of this mean? Who knows, but keep reading.
In many of Queens’ 62 library branches, copies of books are being borrowed are in Korean, Chinese or Spanish. A library branch in Astoria, responding to its own diverse readership, carries children’s books in Arabic, Bengali, Chinese, Russian, Portuguese and Gujarati. Striving to cater to the intensifying globalization of its surrounding streets, the New York neighborhood library speaks your language as never before.
Coulrophobes take heed! You’re not scared of clowns because they’re inherently dark, or even because you caught a few minutes of Stephen King’s IT on television. In fact, you probably owe your fear of clowns to a fellow named Joseph Grimaldi, the “Homo erectus of clown evolution.” When this progenitor died in 1837, a young Charles Dickens “was charged with editing his memoirs.” The resulting portrait, relays Linda Rodriguez McRobbie, was what ultimately “water[ed] the seeds in popular imagination of the scary clown.”
It seems slightly incredible that anyone doesn’t know who Stephen King is, but sometimes “it’s precisely those whom we imagine we know, in broad stereotypical terms, who require introductions,” as Joyce Carol Oates put it. Luckily, The Oyster Review has provided a handy reader’s guide to Stephen King, covering his works from Carrie to On Writing.