Recommended Reading: This unsettling, important essay by Kira Jane Buxton at The Rumpus: “He starts to move with a slow hiss. This is his place, his world, and so when he walks he does it slowly, time in his pockets. He keeps his eyes on me, keeps me in my place in his world. I can’t hold the fear back for much longer, the bridle is snapping.”
“On January 14, 2017, Ringling Bros. and Barnum & Bailey Circus—America’s oldest and best circus, America’s last true touring circus—announced that it was closing, and six days later the country mourned, with an exit parade, a grand-finale funeral: the inauguration of Donald J. Trump.” Year-in-Reading alum Joshua Cohen, whose Book of Numbers spent seven months on our top-10 list back in 2015, and whose new novel Moving Kings made our most-anticipated list for the latter half of this year, reflects on the end of an era for The Point.
"Writing difference is a challenge, particularly in fiction. How do men write women and vice versa? How do writers of one race or ethnicity write about people of another race or ethnicity? More important, how do writers tackle difference without reducing their characters to caricatures or stereotypes?" Roxane Gay reviews Joyce Carol Oates's The Sacrifice and simultaneously explains how to write difference well. Hint: it "demands empathy, an ability to respect the humanity of those you mean to represent."
"The Terminal C Baja Fresh sign gleams like living flame. I feast. The salsa bar is limitless. The refills overflow. I browse John Grisham courthouse thrillers within Hudson Booksellers for 15 minutes… or was it a millennia? Time is a breath to me now." Jeff Loveness for McSweeney's is TSA PreCheck, and now he is a God.