Swarm and Spark, a new column at The Millions, invites you to write with your questions about publishing, the literary life, or writing. The column is written by two anonymous figures: a NYC editor with years in the industry and an MFA professor at a long-established program. Ask anything that has plagued, confounded, pleased or troubled you about your life in and around literature and you may be answered, always with respect: your question will be treated as anonymous as well. Send your true confessions, complaints and queries to [email protected].
Ask Us Anything: Swarm & Spark
William Gibson’s Zero History
The New York Times reviews William Gibson’s new novel Zero History: “To read Gibson is to read the present as if it were the future…” Also: Douglas Gorney interviews Gibson for the Atlantic.
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Bring it Back! Literature In the Olympics by 2016!
Fun Fact: “Literature” was an Olympic event until 1948. In fact, several other events were also listed under the umbrella of “Sporting Art,” as Olympic historian John MacAloon points out to NPR. For example, W. B. Yeats’ brother, Jack Butler Yeats, won the “Mixed Painting” silver in 1924; some people even won “Medals for Making Medals!”
Remember This?
Before his death of natural causes in 2008, Henry Gustave Molaison had the world’s most famous brain. At 27, Molaison permanently lost the ability to form new memories, which led to him spending the rest of his life in “thirty-second loops of awareness.” In the LRB, Mike Jay reviews a new book on Molaison, Permanent Present Tense.
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He Just Keeps Going and Going and Going
As the publication date nears for Robert Caro’s latest Lyndon Johnson installment, The Passage of Power, it’s a good idea to brush up on your history of Caro’s career. Enter Charles McGrath and his great portrait of one of the most prolific biographers of all time.
‘The Joy Luck Club’ Turns 25
On the 25th anniversary of the publication of The Joy Luck Club, Amy Tan looks back on the landmark novel and its subsequent film adaptation.
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Can’t Stop Won’t Stop
“I couldn’t put the books down. Now that so many of us complain of diminished attention spans— our own as well as our companions’—it’s worth asking what has made millions of readers willing to suspend their disbelief—to suspend their selves—for thousands of pages.” Why have so many people gone gaga for Ferrante and Knausgaard? We have our own theories as well.
LA Times interviews Jonathan Lethem
At Jacket Copy, Carolyn Kellogg talks with Jonathan Lethem about his new novel Chronic City “I love to dwell in the space of a novel — I don’t find writing uncomfortable, it’s something I really love doing. Writing a long novel, especially, it means that I’m creating this whole other set of people that I’m interested in, and this whole other world I get to go into, and I try to stay there. I try to go every day, not just to see the word count amass, which is helpful, but because then my subconscious is kind of living there.”
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The Last Samurai
Recommended Reading: On Helen DeWitt’s novel The Last Samurai and how it cultivates ambition in its readers.
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