“Thus it is our [feminists’] historical task … to define what we call oppression in materialist terms, to make it evident that women are a class, which is to say that the category ‘woman’ as well as the category ‘man’ are political and economic categories, not eternal ones.” This essay in remembrance of Alexis Arquette touches on everything from VIP guest lists to feminist theorist Monique Wittig.
This week in book-related internet graphics: Penguin has created an interactive map of literary genres, complete with some very creatively shaped “countries”. As Electric Literature points out, “the fact that the map is aimed at current self-publishing authors explains why YA is it’s own continent while genres like Gothic fiction don’t exist.”
The LA Times has a review up of Eula Biss‘s On Immunity: An Innoculation, an “elegant, intelligent and very beautiful book, which occupies a space between research and reflection.” We covered the collection in our Second-Half 2014 Book Preview, and Biss’s first book, Notes from No Man’s Land, has appeared in several Millions pieces over the last few years.
“‘I just want to be normal,’ she said, even though she had amazing powers and a super-family and was mega-gorgeous and better than normal in every way and the entire book would be terrible if she were normal and she had no conception of what normal was to begin with.” At The Toast, Mallory Ortberg lists flaws only a protagonist could have.
To give context to a new William Vollmann essay about reading his own FBI profile (available to subscribers only, sadly), Harper’s Magazine published a few pages from Vollmann’s file online. Among other things, they reveal that the FBI considered Vollman “exceedingly intelligent and possessed with an enormous ego.” (For a taste of the Harper’s essay, you can read this WaPo article on Vollmann’s connection to the Unabomber.)
“Our Aesthetic Categories, though, argues on behalf of aesthetic experiences that aren’t quite so awe-inspiring or rare. Sitting before your computers or walking the streets of your town, you don’t encounter beautiful things as frequently as you do interesting, momentarily arresting ones—and as for the sublime, when was the last time you experienced catharsis? Instead, [Sianne] Ngai considers our ‘minor’ aesthetic experiences, the ones that make up our day.” In the era of adorkable and nerd chic, Slate looks at Our Aesthetic Categories: Zany, Cute, Interesting.