“In Pond, Claire-Louise Bennett stomps all over writing-dude-in-nature territory with her poetic unraveling of Thoreau’s wilderness jaunt.” A. N. Devers on Bennett’s celebrated new collection.
Writing-Dude-in-Nature Territory
For David Foster Wallace Completists
A new anthology out from Da Capo Press, Bound to Last: 30 Writers on Their Most Cherished Book, includes an essay by David Foster Wallace’s widow, Karen Green, on how books helped her cope with his death: “I’ll try not to use the word survive. I think I’ve determined, by trial and error, that certain underlined, highlighted, and dog-eared books, in conjunction with pharmaceuticals, are beneficial after a trauma. What was it the realtor called it? ‘The Incident.’ Books can be helpful after an Incident.” (Thanks, Diavanna)
Papismo
Legend has it that Hemingway, after reading a review of his work that he didn’t like, strode into the reviewer’s office and slapped him across the face with a book. Upset over a line that questioned his bravado — the line compared his writing style to “wearing false hair on the chest” — Hemingway tore off his shirt to prove his chest hair was real. This week, The New Republic republished the article that started the fight. (For a lighter take on the author, you could read Stephanie Bernhard on cooking recipes in Hemingway’s fiction.)
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A Single Sentence
“Sometimes you come across sentences that are like cairns, evidence the trail continues, and you are so grateful to have found them.” For the Tin House blog Jacob Rubin considers one such sentence from Charles D’Ambrosio‘s Loitering, which our own Hannah Gersen reviewed for the Millions.
Poison in the Plot
Agatha Christie could actually kill you. She studied pharmacology and learned how to create poisons, which led to her use of poisons in her novels. You could also read Daniel Friedman’s essay on solving the mystery of how to close a crime novel.
Discarded Hashtags
“Don’t die on the toilet; / it’s really the worst way to go.” Do yourself a favor and go check out this selection of new poems by Elizabeth Scanlon at Electric Literature.
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Behind the Red Pen
Last week, our own Edan Lepucki interviewed her copyeditor. This week at Tin House, executive editor Michelle Wildgen reflects on what she has learned from being both an editor and writer. Her biggest discovery: “The whole thing should be a conversation.”