“A couple of years ago I attended a British Council discussion about the state of contemporary writing and the creative future in Nigeria, Africa’s most populous nation. When someone brought up the dearth of memoirs in the Nigerian literary landscape, almost everyone in the room laughed ruefully. Someone joked aloud, ‘We can’t write memoirs. We’d have to wait for parents to die. Not just parents – everyone who knows us, even!’ This concern is not limited to nonfiction.” Bim Adewunmi writes for BuzzFeed on African immigrants’ stories.
“[T]hat might be what liberal readers needs right now: Not just portraits of the Brexit and Trump-voting domestic Other, but a clearer sense of their own worldview’s limits, blind spots, blunders and internal contradictions.” The New York Times‘s Ross Douthat assembles a “Books for the Trump Era” reading list, including Michel Houellebecq’s Submission, Christopher Lasch‘s The Revolt of the Elites and the Betrayal of Democracy, and Samuel P. Huntington‘s Who Are We? The Challenges to American National Identity. You can also read our own review of Houellebecq’s latest here.
John Darnielle, who you may know through his work with The Mountain Goats, released a new novel last week, titled Wolf in White Van. Over at The Hairpin, our onetime #LitBeat editor Emily M. Keeler reviews the book, which she calls “a novel that unspools rather than reads.” Pair with: Jesse Jarnow on the 33 ⅓ book series, which includes a volume written by Darnielle.
Maybe the real reason I like Jennifer Egan is that there are so many freckled protagonists in her books. Patricia Zohn at the Huffington Post asks the author about her family, parenting, and her writing obsessions (like freckled faces). She even gets a photo of Egan as a teenager!
One in ten residents of Iceland will publish something in their lifetime. (Compare that to the United States.) And all residents receive the bókatíðindi – a volume listing approximately 90% of all books being published in Iceland – free of charge. Indeed, as Mark Medley notes, when it comes to literary ambitions, the Land of Fire and Ice is “punching above its weight class.”