“Is grief a condition of love? Does grief prevent us from making peace within ourselves and with each other?” For the Kenyon Review, Rosebud Ben-Oni writes on grief as waiting. Pair with Lidia Yuknavitch’s Millions essay on grief and art.
Do you love cats? Do you love Irish drinking songs? Do you love them together? Apparently, you are not alone. Marc Gunn of the Irish and Celtic Music Podcast has two parody albums devoted to this improbable marriage. Speaking for myself (in the words of the immortal Joe Turner), "I'm like a one-eyed cat, peeping in a seafood store..."
Here's everything you've ever wanted to know about the communion wafer's place in free-market capitalism.
"Many of the basic rules around typographic contrast and readability for print or 2D screens change in VR. When type becomes even a little bit more volumetric, the way people perceive it and interact with it changes. The type needs to be rooted in something real, otherwise it gets a little uncanny for the user.” What should typography look like in virtual, augmented, and mixed reality interfaces? The Drum considers (via The Digital Reader). Wonder what a book fetishist might thing of all this...
"You should feel embarrassed when what you’re reading was written for children," Ruth Graham wrote in Slate last week, stirring the proverbial pot of new adult fans of Young Adult bestsellers like The Fault in Our Stars and Eleanor & Park. A host of YA-defenders rose up to shout her down. "You should never be embarrassed by any book you enjoy," Hillary Kelly responds in The New Republic, unrealistically (we're embarrassed by quite a lot). For the Washington Post, Alyssa Rosenberg cites examples of worthwhile, complex YA fiction we can certainly support: The Chronicles of Narnia, The Pushcart War, A Wrinkle in Time, and The Westing Game.
Some say 2012 was “the year of the e-single,” and Laura Hazard Owen is here to explain why. While on the topic, you might want to check out Epic Fail, which was our debut into the world of e-singles. Author Mark O’Connell recently sat down with Hazlitt to discuss the book – as well as Guy Fieri.