Recommended Reading: Amy Gentry writes on the effects of rape culture and its permeations through art and literature. “I realize that what I’m describing here isn’t a list of books I’d like to see banned from the classroom; in fact, it is a list of my favorite books. It also a solid bit of evidence that Western culture is rape culture. Or, to put it another way: rape culture is just culture-culture. If only there were a trigger warning big enough for that.”
This week, New Directions offers up a collection that may offer some context to the Roberto Bolaño oeuvre. As the catalog copy suggests, “Between Parentheses collects most of the newspaper columns and articles Bolaño wrote during the last five years of his life, as well as the texts of some of his speeches and talks and a few scattered prologues.” Also out: Library of America does Kurt Vonnegut with Novels & Stories, 1963-1973; The Secret Knowledge: On the Dismantling of American Culture, a political tome by playwright David Mamet; and Incognito: The Secret Lives of the Brain by David Eagleman, the scientist and polymath who was recently profiled in the New Yorker.
“I Didn’t Tell Facebook I’m Engaged, So Why Is It Asking About My Fiancé?” or, FB continues to make people feel a little awkward.
I’m not that into ballet, but if I had to be, I’d be into 1,000 frame-per-second footage of German ballet dancers prancing around to a dance-y remix of Radiohead’s “Everything In Its Right Place.”
Sam Jordison asks us how Heller’s Catch-22 became a bestseller. “Yossarian’s kept a lasting grip on our collective psyche; he’s the ultimate moral rebel. To object to him would be to put yourself on the side of stuffed shirts, those who kill for profit and in the name of absurd patriotism.”
“The Hatchet Job Award appeals, in its depressingly calculated way, to the basest and most self-serving of journalistic instincts, and seems to arise out of, and perpetuate, a misunderstanding of what criticism actually is.” At Slate, our own Mark O’Connell criticizes the award for promoting the same bad criticism it claims to detest.
Carl Wilson, author of Let’s Talk About Love: A Journey to the end of Taste (a book length study of Celine Dion‘s megablockbusting album of the same name), revisits the enduring and sort of nauseating classic from Titanic‘s soundtrack in The Atlantic.