Out this week: Another Brooklyn by Jacqueline Woodson; Shining Sea by Anne Korkeakivi; White Nights in Split Town City by Annie DeWitt; War and Turpentine by Stefan Hertmans; How to Party with an Infant by Kaui Hart Hemmings; Arrowood by Laura McHugh; and The Glorious Heresies by Lisa McInerney. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
“You should feel embarrassed when what you’re reading was written for children,” Ruth Graham wrote in Slate last week, stirring the proverbial pot of new adult fans of Young Adult bestsellers like The Fault in Our Stars and Eleanor & Park. A host of YA-defenders rose up to shout her down. “You should never be embarrassed by any book you enjoy,” Hillary Kelly responds in The New Republic, unrealistically (we’re embarrassed by quite a lot). For the Washington Post, Alyssa Rosenberg cites examples of worthwhile, complex YA fiction we can certainly support: The Chronicles of Narnia, The Pushcart War, A Wrinkle in Time, and The Westing Game.
Alex Stone reviews Guns N’ Roses founding member Duff McKagan’s memoir, It’s So Easy. It’s a book, Stone writes, that’s “intoxicating — in a pancreas-wrenching sort of way.” Bonus: McKagan’s Year in Reading for our site back in 2011.
One of the more common questions that comes up in The Nervous Breakdown’s self-interviews is what the subjects consider to be the hardest part of the writing life. The most recent edition sees Jac Jemc, whose latest came out last week, admit that time is what foils her: “Everything takes longer than I think it will, more drafts than I think it will.” This might be a good time to look back on some earlier examples of the form.