“I’m annoyed that so many young rapists lack interest in their own motivations, or are led to believe that an absence of real psychic motive will make the crime merely an act, when really it’s the uninterested mereness of the act that makes it feel, to some victims, so criminal.” Sarah Nicole Prickett compares the many letters released following Brock Turner’s trial at n+1.
“Yes, it’s easy to laugh at the lawyers. But what if the lawyers were right? For the question that still needs to be answered, I think, is whether the arguments over the novel’s obscenity and obscurity were just temporary historical effects or whether they point to the essence of Joyce’s originality.” A longform look at why we should still find Ulysses scandalous.
The biggest release of the week is, of course, the launch of the first Millions Original, Epic Fail (here’s our excerpt), by our own Mark O’Connell (We may be a bit biased there). Also out, Sam Roberts’s Grand Central, about the iconic train station, and, now available for the first time in a single, massive paperback volume, Haruki Murakami’s 1Q84.
Head over to The Literary Hub and take a look at this excerpt from Svetlana Alexievich’s newest book, Second-Hand Time, which has been called a “history of emotions” chronicling the demise of Soviet communism. While you’re at it, take a look at this Millions profile/interview with Alexievich from earlier this summer.
Recently I reported on the launch of Two Dollar Radio Moving Pictures, a cinematic venture from the indie publishers in Ohio. Since then, a pair of teaser trailers have been released for the first films in the organization’s pipeline. One is for The Greenbrier Ghost, which was co-written by Crapalachia author Scott McClanahan. The second is for The Removals, and it was directed by Orange Eats Creeps author Grace Krilanovich. (A few years back I gave TOEC some love in my Year In Reading post.)