Over at Brooklyn Magazine, Molly McArdle writes on J.K. Rowling’s ever-expanding universe. As she puts it, “New canonical information flows from: Pottermore, the fictional universe’s official website; Rowling’s Twitter account; interviews; a forthcoming movie trilogy; and now two plays, Harry Potter and the Cursed Child, produced in tandem in London with scripts available for sale in a single volume worldwide. This is Harry Potter’s long, strange afterlife. Or maybe it’s more like an undeath.” Pair with Janet Manley’s Millions essay on The Cursed Child and British humiliation.
Here are three pieces about horror in honor of 2012 being the centenary of Bram Stoker’s death. 1) Yazan al-Saadi’s fascinating survey of Arabic horror cinema, which is not only “about what can frighten most Arab audiences, [but is] … also a chronicle of the abnormalities and dysfunctions lacing the underbelly of Arabic cinema as a whole.” 2) Ed Park’s essay on “the audacious enterprise” of Rosemary’s Baby. 3) Stuart Kelly’s entreaty for modern writers of horror to “raise its game.”