In the nineties, when Jack Livings was teaching English in China, he was gathering material for The Dog, his short story collection that recently won the PEN/Robert W. Bingham prize. In an interview in the WSJ, he talks about his research process, Chinese idioms and Uighur-Han relations. You could also read Casey Walker’s syllabus for modern China. (h/t The Rumpus)
“To say that late Victorian poetry is bleak would be akin to remarking that Wilkie Collins had a decent knack for plotting a novel. These poems are freighted with Gothic overtones, and it is not uncommon for some supernatural phenomenon to intrude upon what had started out as a seemingly harmless quatrain. We often encounter Death himself—or the Devil—who is something of a literary celebrity for the decadent poets. But what marks the best of these poems is that the outré is in service to something that we can think of as more desperate, and, wouldn’t you know, human.” Over at The Boston Review, an online-only essay looking at the peculiarities of Victorian decadent poetry.
After waking us up to their favorite Brazilian novelists, the editorial board at Granta is turning its gaze to Norway. In the first issue of Norwegian Granta, you’ll find a slew of stories by illustrious contributors (among them Jennifer Egan, Roberto Bolano and Alice Munro) alongside new stories from authors native to the country. At Granta’s website, you can read an interview with the magazine’s online editor, Ted Hodgkinson.