For Lenny, Lidia Yuknavitch talks about suffering, art, and her path to writing. “I believe in art the way other people believe in God,” she says. For more of her writing, check out her Millions essay on grief that births art.
"People who shun new technologies will be viewed as passive-aggressive control freaks trying to rope people into their world, much like vegetarian teenage girls in the early 1980s." Novelist Douglas Coupland (who popularized the term "Generation X") previews his lecture "A radical pessimist's guide to the next ten years" in the Globe and Mail.
Our friend "Tom" finds that music soothes the savage vampire.Joseph O'Neill explores the "wholesome... misanthropy" of Flannery O'Connor.The Nation offers up a depressing assessment of the book business: "It is a confused, confusing and very fluid situation, and no one can predict how books and readers will survive.""Why Donald Duck Is the Jerry Lewis of Germany"NPR talks to the author of the just published biography, Gabriel Garcia Marquez: A Life.Daniel Green launches new online journal Critical Distance."Will Philadelphia be the place where the American newspaper dies?" (via)The Complete Review considers Bolaño's Amulet.
“For me, language was a kind of initiation into multiple realities. For if one language could be certain of a table’s gender and another couldn’t be bothered, then what was true of the world was intimately tied, not to some platonic ideal, but to our way of expressing it.” Ana Menéndez on being a multilingual writer in the twenty-first century.
“We envision a library full of blood,” reads the “About” section of the Black Cake Records website. “We want the very best blood, & we want it everywhere.” Intrigued? You should be. The project, begun in 2013, serves as “a forum for producing & disseminating audio archives of contemporary poets reading their work.” For an introduction, you can start with “Trench Mouth” by Danniel Schoonebeek, whose debut collection, American Barricade, was published last month by YesYes Books.