Over at The Guardian, Charlotte Jones takes issue with the recently announced sequel of Pride and Prejudice. The book by Terri Fleming will focus on the life of Mary Bennett, a character who is deliberately neglected by Jane Austen. As Jones puts it, “Lizzie only has space in the book for a remarkable interior life because her sisters do not. Even beautiful Jane is a bit insipid – a fact Austen knowingly plays with, as her eventual engagement to Bingley is briefly threatened by Jane’s reticence.”
"Calvin and Hobbes is certainly not a text about queerness, yet when I returned to it at this altered point in my life, the strip suddenly seemed to describe things that resonated with me now: what it was like to live in a world where expressing your realest self is so often penalized, and the value of finding a second family, a close friend or friends, if your blood family fails to understand or accept the truest version of you." Gabrielle Bellot at The Literary Hub explains why Calvin and Hobbes is great literature.
Before he was Michael Chabon the novelist he was Michael Chabon the punk musician. Now recordings of his work with The Bats are available online as part of Mind Cure Records archival series.
"[W]e are and we are not who our blood roots predetermine us to be." Over at Electric Literature, Sion Dayson talks with our own Sonya Chung about race, writing, and her new novel, The Loved Ones, which is one of the books we're most excited to read this month.