On the Adjunct

“They say ‘kill your darlings,’ but I think darlings are your voice — your favorite parts, the parts you’d admire even if you didn’t write them. Why destroy what you love? If you feel that strongly about something you’ve written, pay attention!” Elisa Gabbert pens Electric Literature‘s “Blunt Instrument” column, which this month involves how to find one’s style as a writer. And for more scrivening advice, see our own columnists Swarm & Spark on the best way to seek feedback on your work,sending a memoir into the world, and whether writing a novel will jeopardize your mental health.

Just in time for the publication of Kissing the Mask, it’s…Wilhelmina T. Vollmann! If this were a TLC album, it would be called Scarysexyapposite. (via)

You can call off the search, Millions readers–we have been given the year-end list to end all year-end lists. The good people over at The Literary Hub spent countless hours poring over social media accounts to bring you the most important “best of” you’ll see all year, The Biggest Cuties in Publishing.

The New Yorker has been hosting a Twitter game show, and this time around the contestants were words and in a macabre turn each word was berated by the audience, the people calling out for the death of that contestant. One word was forced to ultimately bite the bullet and will no longer be welcome in the magazine’s next issue. Tragic.

Three cheers to the return of storied magazines! This month, The Baffler and Collier’s made triumphant returns after lulls of 2 and 55 years, respectively. Meanwhile, over at Johns Hopkins Magazine, Paris Review editor Lorin Stein explains why “literary magazines still matter.” And, if you know anyone with some extra cash, they could become the next owner of Variety.