Recommended Reading: How to write about trauma.
Recommended Reading: Orlando Luis Pardo Lazo collected sixteen short stories from sixteen authors among Cuba’s “Generación Año Cero” (Generation Year Zero), which is a “movement of writers who began publishing in 2000.” The anthology, which is available for free online in both English and Spanish, features illustrations from Cuban artists El Sexto and Luis Trápaga.
The devastating images of Syria shot by Franco Pagetti have been collected into a series entitled Veiled Aleppo. Over at The New Republic, Geoff Dyer writes about one of them. It’s an image, Dyer observes, that features “symbols … of the death throes not of a city but of film.”
It takes a certain skill to link Taipei by Tao Lin, My Struggle Part I and Part II by Karl Ove Knausgaard and an old book on Italian painting in a single essay, but Zadie Smith is (naturally) the writer for the job. In a new piece for The NY Review of Books, she asks the reader to “imagine [a drawing of a corpse] represents an absolute certainty about you, namely, that you will one day be a corpse.”
New this week: The Age of Reinvention by Karine Tuil; The Burned Bridges of Ward, Nebraska by Eileen Curtright; Shock by Shock by Dean Young; The Selected Poems of Donald Hall; and On Cats by Charles Bukowski. For more on these and other new titles, check out our Great Second-Half 2015 Book Preview.
At The NYT Mag, Virginia Heffernan‘s “Drill, Baby, Drill” explores the possibility that drills and memorization might not be quite as oppressive as some of the kinder, gentler pedagogues of our time suggest and offers a list of aps to help aspiring rote learners (Nota Bene: VerseByHeart).