“Salinger’s Holden Caulfield made a distinction between writers you would like to call on the phone and those you wouldn’t care to talk to at all. Teju Cole belongs to the former group.” Year in Reading alum Aleksandar Hemon interviews Teju Cole. If you can’t get enough of Cole, we interviewed him, too.
No Phonies Here
Antidote Man
According to Smithsonian Magazine, Buzzfeed is the mortal enemy of the highbrow Lapham’s Quarterly. Regardless of which source of media you side with in the rivalry, it’s worth reading through their profile of Lewis Lapham.
Murakami Profiled
Ahead of 1Q84 hitting shelves next week, Sam Anderson's big profile of Haruki Murakami has arrived. Also don't miss Chip Kidd's discussion of 1Q84's book design.
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Laughing with Shakespeare
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Tin Man
Sergeant Ed Drew's tintypes of the war in Afghanistan are the first tintypes made in a combat zone since The Civil War. Drew made them for his son. "I wanted him to know his father in the event that I was killed in action and it became less important that my work was done in tintype than that I could show the humanity of war in the eyes of airmen I fly combat missions with," he said.
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New Critical Flame
Issue three of The Critical Flame has arrived. Richard Nash's review of Ted Striphas' The Late Age of Print is a highlight.
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Mapping the Territory
"No map can be a perfect representation of reality; every map is an interpretation, which may be why writers are so drawn to them," Casey N. Cep writes about the fictional map at The New Yorker. Pair with: Our review of Where You Are.
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They call it an accident, a catastrophe. But it was a war.
n+1 publishes a chilling personal account of the Chernobyl nuclear disaster, as the crisis mounts at Japan's Fukushima Daiichi nuclear power plant.
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Poetry from the Road
Recommended Reading: Amy Woolard's poem "Things Go South" at TriQuarterly. "Here, the apple don’t fall/From the tree. Here, whatever you/Find lying on the ground is yours./A scratch-off waiting to strike."
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