“Salinger’s Holden Caulfield made a distinction between writers you would like to call on the phone and those you wouldn’t care to talk to at all. Teju Cole belongs to the former group.” Year in Reading alum Aleksandar Hemon interviews Teju Cole. If you can’t get enough of Cole, we interviewed him, too.
“There’s something to be said for allusive titles: they can be intriguing and draw you in. And obscure titles at least make a change from the current trend for The Woman Who Climbed out of Her Car and Mowed the Lawn. (I made that one up, though it could be a bestseller). But when it comes to titles that are simply misleading, there are just far, far too many.” In a piece for the Guardian Moira Remond considers some of the most misleading and misunderstood book titles, such as John Williams‘s Stoner (which our own Claire Cameron wrote about here.)
Lit-mag Meanjin Quarterly is taking a cue from The Millions and kicking off a new series, The Best Australian Fiction of the 21st Century (so far).
Frank Stanford isn’t the most well-known American poet, but he is one of the most revered, at least according to his contemporaries. At The Rumpus, David Biespeil writes about a new collection of the poet’s work, remarking that “no American poet I have ever met regardless of disposition or poetics has disliked Frank Stanford’s poems.”
Barrelhouse recently revamped their website, but that’s not even the most exciting news out of the D.C.-based literary outfit this week. No, sir. The most exciting news is that the magazine’s newest online issue is “focused on the theme of 1980s professional wrestling.” The list of contributors includes Aaron Burch, Matthew Duffus, and Jeannine Mjoseth.